AgentWashingtub008 FIRST Member Star(s) Indication of membership status - One star is a FIRST member, two stars is Double Gold Crackpot of Coffee

Male
from Between Gongaga and Gont

  • Activity

    • 008 FUNboxing- Merch March Epilogue

      3 hours ago

      AgentWashingtub008 FIRST Member Star(s) Indication of membership status - One star is a FIRST member, two stars is Double Gold Crackpot of Coffee

      Helo friends, grab yourself a knife and some hot chocolety milk, it’s time for a special 008 FUNboxing! 

        Cx3hbqn.jpg

      Today is not the routine box of fun things that people usually do unboxings of, but a fun little personal thing connecting back to the #merchmarch challenge we all took part in with @ailsarocks . That was fun, wasn’t it.

       

      Well anyway, I got the on-site prize and with that and the anniversary sale (and sponsor code) I rushed to make good on it.

        VlB1X1n.jpg

      Let’s start off with a fun fact, this box was a whole lot bigger than I expected.  Here it is with the #RTBOX next to it for scale.

      -----

      2e3wbqJ.jpg

      Look at all of this paper that was used to ship it in.  (Let’s be honest though, I’m glad they went to the trouble of making sure the precious cargo was well contained.)

      -----

      sBYoMXy.jpg

      That’s more the size I expected (unfortunately there were no surprise goodies). 

      -----

      lFUDj7V.jpg

      This funky little package would confound me if I didn’t already know what was inside and there weren’t holes I have conveniently angled out.

      -----

      0O5Muta.jpg

      Be careful of staples as they may hurt you.

      -----

      TgykHqB.jpg

      The first thing is the excellent Rooster Teeth 14th Anniversary Mocha Mug.  Not only does it have the awesome simple version of the “art deco” 14 Years logo and a solid porcelain body, it’s just that much bigger from a coffee mug to be a mocha mug which is my favorite coffee drink!  I’ll be enjoying this during quite a few podcasts to come I can tell you that.  Just like I will be for the second item.

      -----

      rfO2FoE.jpg

      Ooooh, tease it…

      -----

      tMsO6tt.jpg

      Oxms06N.jpg

       noraBOOP! nora I said I would! You can’t keep this geek from getting pink socks from one of my best girls! (Sorry, red… ruby)  These are my first strideline socks and they are cooomfey.

      -----

      R7x7Jvs.jpg

      Also, these markings are way more helpful than writing left and right on the bottom with sharpie.  (Would that even work on socks?) 

      -----

       

      I’m pretty satisfied with my order, it's the winning combination of Nora and Coffee.  What could go wrong?  I gotta thank all of y’all who came to play this Morch Morch too.  It wouldn’t have been nearly as fun without the #RTCommunity.

       

      Well, now that I’m done with this I’ve gotta go watch some movies I don’t like for you guys.  Everyone should know what I mean by now, but I’ve gotta do it.  You deserve to know the truth.

       

      It’s the truth you deserve.

      See y’all soon!

      -008


      TAG BAG

      #008

      #Unboxing

      #Funboxing

      #RTStore

      #RT14years

      #Coffee

      #Mocha

      #Socks

      #Strideline

      #Nora

      #Boop

      #RWBY

      #Guttermouth

      #Batman

    • 008 Mini Update- The Return of Guttermouth Reviews?

      4 days ago

      AgentWashingtub008 FIRST Member Star(s) Indication of membership status - One star is a FIRST member, two stars is Double Gold Crackpot of Coffee

      It's been a while since I did one that was actually fleshed out.  So I think I may give some upcoming time off over to that.  There's one that I really need to do, and there's something I'm doing that has been fun and fits the bill.


      Will this be the death of me or will I rise to the challenge? 

    • RTCommunityDay for 4/2017 Was Yesterday.

      1 week ago

      AgentWashingtub008 FIRST Member Star(s) Indication of membership status - One star is a FIRST member, two stars is Double Gold Crackpot of Coffee

      How'd y'all do?  Did you have fun with whatever you did on #rtcommunityday


      Cleaned my house, got a haircut after a wait that lasted two twitter threads (because I'm an idiot) and then spent the afternoon with my mom and shopping.


      I ran into a gut who made the brave decision to wear a Fun Haus shirt in a Lego Store.  THERE WERE CHILDREN THERE!


      Here's some pictures of me rock'n some merch appropriate for the birthday month.C9fXc5YUMAAFSf1.jpgC9fXc5WUIAENPBv.jpg

      And as per usual I selected a short RT video that should be fun to watch.


      Why not the extent of my knowledge of Mass Effect?

      Anyway, it was pretty cool for me, I hope you had a good time too.

      -008



    • Red vs Blue Season 15 First! SPOILERS and Discussion Thread: On The Rocks

      in Forums > Red vs Blue Season 15 First! SPOILERS and Discussion Thread: On The Rocks | Follow this topic

      AgentWashingtub008 FIRST Member Star(s) Indication of membership status - One star is a FIRST member, two stars is Double Gold Crackpot of Coffee

      Hey gang, welcome to the Red vs Blue Season 15: First! SPOILERS and Discussion  thread! I’m AgentWashingtub008, a resident site-camper and crackpot theorist. Now, this is a thread launching post I didn’t think I’d be writing.  The current move by Rooster Teeth to up the benefits of FIRST! has reorganized the schedule in a way that FIRST! members receive the episode a full week before anyone else and with no time of overlap.  This would complicate conversation in just one thread.  There’d be two conversational timelines going on separated by the slightly cumbersome current iteration of spoiler tags.  What might be best for everyone is to have a space where firsts can talk clearly labled as spoilers for Members so at least everything is organized.  Of course there can be MORE conversation going on in other threads (like the original major RvB 15 thread located here) but I think this is a convenient option. Anyway, for FIRST!s be sure to come with your reactions, analysis, theorizing, crackpottery, arguments, research, fangirl/boying, arguments and general fun. You just need to like in-depth discussion about a show you like. There are more stories to tell, let’s get ready!

       

      However, before we begin here are some general guidelines to help make the forum experience go swimmingly. (That I ripped off from myself (With some edits.))

       

      1: Write With Care: Grammar is good. No one is perfect, but as long as you make the effort to make your points intelligently, the conversation will be easy for everyone to follow and readers will know you care about what you are saying and respond in kind,

       

      2: Conduct Yourself Respectably: The forum is a shared space. Please do not come in here trying to cause a mess or rile up some people. It is almost guaranteed you’ll disagree with someone else here but acknowledging that and asserting your opinion are not mutually exclusive. Keep in mind a good argument is more persuasive than yelling, screaming, and tearing into someone else’s character. Also be aware that first impressions can last. Try and present yourself with your best foot forward to start a successful journey through the thread.

      ###pRooster Teeth Forums are something viewed in public and the workplace.   There is more information in the ###a href="http://achievementhunter.com/terms-and-conditions">Terms of Use you agreed to when you joined the site. You and I are well aware of the lengths Red vs Blue goes to for jokes.  It’s M for Mature comedy with some sometimes heavy Suggested for Mature Readers (comics) material in there too.  Still, that’s no reason for being lewd for no reason or doing things just to be shocking or vulgar.  We’re having a discussion here.

       

      2.5: Spoilers: Spoilers will not be as important because of the nature of this thread but I still think they should be discussed.  Here is how they work. Click the little Slashed-Eye on your formatting bar and type away! Use your mouse to hover over or highlight an area of tagged text to view it.  If you have seen a video here before public release or have just watched it at launch, tag your spoilers in even a spoiler-titled thread. Generally once an episode has been live for the public (and they’ve had the time to watch it in full) , spoilers are considered fair game, especially in the heat of discussion in a spoiler titled thread, but try to be courteous.   While this thread has been labeled as FIRST! And Spoilered, there’s still the chance of some people not seeing things, and wandering in here.  And let’s say a trailer goes up “unannounced” put that is spoilers for an hour or so so people can go watch it themselves or choose not to and know to ignore your posts about it.

       

      3: Lurk: Have you ever have your mom tell you it is weird when you stay in the corner for a while to try and figure out what is going on before entering the social space? (Just me?) Well, in here that isn’t an issue. It is actually encouraged. By watching the thread you can see what is the tone and tempo of the conversation going on now. Also, instead of bringing up the same point over and over again, if you found something you want to continue talking about, you can reply to that thought someone else had and you’ve already got a foot in the door. Be careful though, if a topic is older (like a week) you may want to preface your statement or idea again. The key part of lurking is gaining a sense of where the conversation is at. It’s actually free to pay attention.

       

      4: Try to Stay On Topic: Some threads, like this one, are made with a specific purpose. Try and be respectful of that. People come to specific topic threads for that kind of discussion. There are other threads for more general talking (Bar Threads) and you will be more than welcome there. This is not a chat-room. As to the specifics of this rule, what consists as “on topic” is something related to either the show itself or a show-relevant argument. For instance if something that happened is reminiscent of Star Wars, that is fine to call out. If you are making a point about radio science and no one seems to understand it, an explanation is fine. If a point about the conversation needs to be made, make it. But remember, this is a place about RvB the show and all points of discussion should be able to be brought back to that. (Not all comments obviously, people can get distracted.)

       

      5: Organize Your Thoughts: When reviewing the conversation in the thread, do not make an individual reply to everything. Try and make all of your points in one post with multiple replies. You can help distinguish where your statements are meant to go in the over-all conversation, but the “reply” function will help you for that. Mobile users also have a hard time editing posts sometimes, so it’s fine but please try to not spam.  Post-spamming really just gums up the page and doesn’t present you that well either.

       

      6: Remember This a Group Effort: Like the previous point, this one is about not dominating the conversation. All of us are all on different internet connections with different speeds as well as having different schedules and circumstances that may effect when and how often we speak. If you have a lot to say, a double post may be appropriate, but try to leave time and space for someone else to talk too. If you are the last person to have posted and you have a really cool new idea, give it a half hour or so if you can. This is talking WITH people, not AT them.

       

      7: Have Fun: That’s right, we should all be here because we enjoy Red vs Blue and that is the most important thing. We are the greatest online community for a reason and that is because we can all have a good and respectful time together sharing the things we like and maybe even things we don’t like but even that should be a fine experience. Let other people have their fun too. A new conversation may start up with other people, if you have nothing, leave them be. This is a place where we all should be able to talk and have a good time, try it.

       

      And there is the long of the guidelines. We can’t predict everything that could happen, but following these generalities will help. We also need to work together to keep it fun and safe. Report trolling, flame-modding (where everything gets a -1 mod for no reason) , dishonorable conduct, and bullying. Team work makes the dream work, guys.

       

      I can’t wait to get started talking about RvB in-depth with our reactions, analysis, theorizing, crackpottery, arguments, research, fangirl/boying, arguments and general fun. Before we go, the briefest of reminders: Don’t be an idiot or an asshole and look out for the Forum Yetti.

       


       

      275 replies

    • 008 Micro Update- The Case of the Silver Phone

      2 weeks ago

      AgentWashingtub008 FIRST Member Star(s) Indication of membership status - One star is a FIRST member, two stars is Double Gold Crackpot of Coffee

      I was tired of the simple black case and the sticker I cut up to slightly resemble the Project Freelancer Triplicate started to peal off.

      C81LauDUwAAeu3F.jpg

      So I took some spray paint and elbow grease and did something about it.

      (3rd time was the charm.)


      Link to the picture in case y'all can't see the huge one in the post for whatever reason the site does this to me.

    • 008 FUNboxing- RTbox April 2017

      2 weeks ago

      AgentWashingtub008 FIRST Member Star(s) Indication of membership status - One star is a FIRST member, two stars is Double Gold Crackpot of Coffee

      Hey-0 gang, grab your knives and your chicken sandwiches!  It's time for another FUNboxing.

      C8reosbVwAACvmu.jpg

      Today we've got the April 2017 #RTBOX.  I got Double Gold as a Christmas Present and have been getting them since January, I just also have been either sick, busy, or mistakenly trying to make a video out of them.  OOPS!


      Let's get back to the good old formatting:


      C8reovdVYAAGTZp.jpgFirst I notice that the box is significantly more red.  Was any one else's like the one of the right?

      -----

      C8reovbUMAEoBia.jpgThis month's note was a napkin note from Geoff with some interesting ideas for what to do with the contents of the box.

      -----


      C8reosVVoAAjH3L.jpgI don't know if they heard me or not, but I'm so happy with the first two things, a Red vs Blue notebook and pen.  Keep the office supply stuff coming!

      -----


      C8re2vTUwAAEyvH.jpgAnother pair of items (because I said so, that's why) is the Fun Haus Basketball Stress Ball and Sex Swing Sticker.  Sex Swing didn't really grab me, but I can probably find someone who liked it.  I also do plan to use the stress ball the way Geoff told me to AND relieve some stress.

      -----


      C8re2tYU0AQoh_U.jpgThis month's shirt is the Rooster Teeth 14th Anniversary shirt with a very detailed design.  I also love the semi-Art Deco direction they've been taking some of the RT branding lately.

      -----


      C8re2qsUAAAFZMt.jpgMy #2 Double Gold Card is Achievement Hunter (as is everyone else's) and it's good.  Didn't get a signed one this month.

      -----


      C8re2rwUMAAC6nE.jpgC8rfDSSVYAA0SwF.jpgAnd the last thing that fell to the bottom are these green Achievement Hunter earbuds.  What I really like is these come with an anti-tangle case that's pretty sturdy.  These are going straight into my satchel!

      -----


      C8rfDP_VwAAOV1P.jpgAnd that's all of this month's Double Gold RTbox.  It was a good selection over all for the 14th Birthday box though I'm surprised it didn't lean even MORE that way.  MAYbe we'll get the shirt teased in a recent tweet later  yang...


      Well, that's that.  Thanks for joining me!

      -----


      There'll be more coming up on my page soon, but in the mean time why not check out the first two issues of my Fan Fiction Speculative Proposal Scrip for an RvB Fan Comic: Red vs Blue: REC0VERY?


      Issue 1 and Issue 2


      That's all for now though!


      ---The EDIT did nothing to the content of the post, I just did a dumb.---


       purple_heart-U, RT Community.

      -008

    • Rooster Teeth and Red vs Blue 14th Anniversary Special Post: Issue 2 of the "Red vs Blue: REC0VERY" Speculative "Preposal" Script for a Fan Comic

      3 weeks ago

      AgentWashingtub008 FIRST Member Star(s) Indication of membership status - One star is a FIRST member, two stars is Double Gold Crackpot of Coffee

      Guys, I can't really describe how important this company and this show (and the community that has formed around it) have become for me.  It's a home I can always come back to.  It's a sense of continuity no matter where I go.  It's been an example and an inspiration for me in my writing and the things dedicated people can create.


      So instead of rambling in that vein I'll continue to show you a small thing that I've created in thanks and response to Rooster Teeth and Red vs Blue.  I haven't only been sitting on Issue 1 for a while.  I plan on finishing the scripts (two more is the most likely scenario) soon, but the back-to-back release of the first half is what I've come up with as my original contribution to the celebration.  Who knows what kinds of fun I'll jump into tomorrow with what you all have to offer.


      As always your feedback is appreciated.

      -----


      LAST TIME ON THE PAGES OF RED VS BLUE: REC0VERY


      #TellYourRvBStory

       

      This is a treatment for a mini-series of comics set around a story of RvB.  It is based largely around what I think happened but set in a way trying hard not to confuse continuity.  It’s a little hard.  This is very informal in that I do not know if it will ever go far beyond this computer.  It is a fan work done as an exercise and in appreciation of Rooster Teeth.  All comments in note sections are meant to be casual and entertaining.    Though a frame story is present it covers the beginning of Agent Washington’s career in the Recovery Program and ends around the same instance that began the BGC and Wash’s full time as RecoveryOne

       

      Since this is based off of a web-series filmed in Halo, the actual look of things is pretty obvious.  It’s Halo (specifically things will all (unless otherwise noted) be Halo 2 style things as that is the armor Freelancers had up until the events of Recovery One where Wash and South were able to get Halo 3 armor from PF or other military sources (and all of the Sim Troopers upgraded around that time too). 

       

      If I was doing the art it would be fully and accurately colored people with backgrounds largely shades of one or two colors and important objects being fully colored too.  Also I’m thinking heavy lines in a Jack Kirby style or like Lichtenstein.  The reason for this pop-art approach is because it hasn’t been done in RvB before, I love it, and I imagine Wash would be a fan.  This is his story.

       

      The following notes are present because I don’t know if everyone knows how a comic script works.  I certainly didn’t when I first read one (highschool).

       

      I think it would be best if odd pages were on the right, starting with page one on its own, and even pages were on the left.  The reveals and paired pages have been designed in this format.

       

      Though I’ll lay out what I plan on panels looking like most of the time, the standard will be a two across and three down grid.  Things like how wide or narrow a certain panel is in my mind will be addressed in the Panel Discription.  Also, for quick reference I will label panels like this 1-2-1 for page one, panel 2, row 1.  That panel would, in the six grid, be in the top right corner.  The panel in the bottom left would be labled 1-5-3.  This is a spec script, I understand things would change.  Speaking with the artist about layouts would determine their final placings.

       

      The phrase “bubble break” means that the dialog is in two seperate comments in connected bubbles but not interrupted by a second speaker.

       

      More Formatting notes:

      -Bold things are present to help locate important information.

      -Italics will be author notes. 

      -Things in [Brackets] will be panel or art discriptions.

      -Character lines will be presented with the character name above otherwise marked text.  If it is a narration box that will be implied after the colon (:).  All lines in the panel will be presented in the order they are said/probably should appear in a left-right up-down manner and if a character has multiple lines in a panel, that means multiple bubbles seperted as they have been in the script is intended.

      -Bold, italics, or any other format IN a character line is meant to be reflected in the speech bubble. 

       

      I see each character as having unique speaking/narration/saying-things-off-page boxes.  Here they are, and unless noted for one reason or another I see AI’s having techy-looking font and people having more organic looking ones (like Courier and Times New Roman but other pairs are fine).  Also Characters (especially AI) having colors in their speech bubbles is something I’d be fine with but it’s more work and ink than is “necessary.” This list is presented as Text Color on Box Color.

       

      WASH: Yellow on Gray (Perhaps differentiate Past Wash with this and “Present” Wash with Yellow on Light Blue)

      INTERVIEWER: White on Olive

      DIRECTOR: Light Blue on Black

      COUNCILOR: Black on Light Gray (Perhaps a Smoother font)

      ALPHA: Light Blue on White (AI)

      EPSILON: White on Light Blue (AI)

      47-9ER: Gray-Blue on White (I realize there’s a lot of blues here but that’s half the show)

      FLORIDA/FLOWERS: Black on Cyan/Aqua

      FILSS: Blue on Black (AI)

      WYOMING: Black on White (with a “British” font (Copperplate Gothic Light?))

      HARGROVE: Dark Gray on White

      TEX: White on Black (AI (Wash knows so why not?))

      OMEGA: Purple on Gray (AI)

      DELTA: Light Green on Dark Green (AI)

      GAMMA: Light Green on Light Blue (AI (maybe even more computer (pixely)))

      SIGMA: Red on Orange (AI)

      THETA: Red Pink on Blue Purple (AI)

      ETA: Aqua on Yellow (AI)

      IOTA: Yellow on Aqua (AI)

      MAINE: Brown on White

      YORK: Silver on Gold

      CAROLINA: Silver on Aqua

      NORTH: Green on Violet

      SOUTH: Lime on Lavender

      CONNIE: Light Gray on Brown

      VIRGINIA: Tan on Navy

      WEST: Brown on Navy

      INDIGNAT MECHANIC: Rose Pink on White

      RECOVERY FORCES: Their Accent Color on Dark Gray

      PROJECT FREELANCER TROOPERS: Standard Black on White (they’re not really all that important)

       

       

       

      And that, roughly two pages in, should cover what I’d like to.  Now we can get to the actual script.  Yay!


       

       

      -----Issue 2-----

       

      Cover

      This issue is about a few departures and how Wash was left in the middle of things (and a few other things about loneliness and being left behind) so what I imagine as the cover is a large white background with Wash (Gray suit) standing in the center (looking down?) with Alpha (as just light blue outlines over white) as his shadow off to the left (Wash’s right) and Wyoming to the right (Wash’s left) and they both are facing away from him. 

       

      Obviously if the artist or others involved reads the issue and has a cool idea, we can work with that too,

       

      Page 1

      As with the last issue this page starts on the first right page after the cover and something (a recap maybe or a cool thematic image) on the left inside of the cover  So all pages are odds on the right, evens on the left.  If there’s ads, just put them around non-splashpages or so they don’t ruin a reveal if they don’t have to.

       

      [Page 1 is like the last first page, focusing on the conversation happening “now” between the INTERVIEWER and WASH (Blue suit and obscured face if his helmet is off (and I’m more leaning towards this option for a “twist” in the final panel of the final issue)). 

      Remember the room is a simple interview room from the USNC (I don’t know why but I always envision red-ish lighting but as long as it’s military I’m cool).  On the single table is a bunch of space future equivalents of tape recorders and casefiles.  There is a two-way mirror in a spot where (theoretically) someone could watch Wash but we don’t get any angles where we see his reflection (because of the twist).]

       

      1-1-1

       

      [This panel is the top third of the page and WASH should be looking just a bit bored (twiddling his thumbs or messing with the documents.]

       

      Interviewer:

      The next major recording of note is a little later and I believe it indicates things settled rather quickly, especially when it came to putting the Alpha into his safe location.  Would you agree?

       

      Wash:

      I can’t be too helpful here.  The Alpha was always kept in the dark, but after the break-in they put him in isolation.  Apparently he was lethargic after brief contact with Tex-

       

      Interviewer:

      [Interrupting WASH] Agent Texas was able to make contact with the Alpha during the break-in?  Why didn’t she take him?

       

      Wash:

      Only The Alpha and Texas fully understand each other.  If she left him alone then the reason was good, I assure you.

       

      Panels 2 and 3 split what remains of the page in half (vertically).

       

      1-2-2

       

      [This narrow panel is over the shoulder of the INTERVIEWER]

       

      Interviewer:

      And yet, she went to Blood Gulch…

       

      1-3-2

       

      [Flip shot over WASH’s shoulder]

       

      Wash:

      You’re getting ahead of yourself.  A lot of things changed between the break-in and Blood Gulch. 

       

      Page 2

       

      2-1-1

       

      [Another montage page.  As the Director and Councilor talk, a scene of ALPHA running through a maze occurs where he once again slowly turns into EPSILON (becoming more light-blue and white than white and light blue).  His movements are purposeful, but he seems scared as well.]

       

      The Director:

      When will he be ready?

       

      The Councilor:

      He is still preparing and we are running tests to make sure he even will be ready.

       

      The Director:

      But when?

       

      The Councilor:

      The timeline is murky. At the moment there are just too many possible avenues to pin it down.

       

      The Director:

      We need him moved soon. 

       

      The Councilor:

      As soon as we can be sure things will go as planned, he will.

       

      2-N-N

       

      [EPSILON turns around a corner and the shot switches to a front-on of WASH coming around a corner of a concrete wall in snow only to duck back immediately because of gunfire.]

       

      Wash:

      I think I’m pinned down.

       

      47-9’er: [over the radio]

      You think?

       

      Page 3

       

      3-1-1

       

      [I see this panel as wider than the following one in the row.  A wide shot of Sidewinder full of troops, vehicles, and cover, like the opening of Reconstruction.  In the back you can just see WASH peeking out from behind a piece of the cover.  A tank is aiming at WASH.]

       

      FILSS: [over PA]

      Tank Lambda-zero-zero-eight firing main cannon.

       

      3-2-1

       

      [WASH is engulfed in a tank-round sized glob of the pink paint from the training sessions in season 9]

       

      Wash:

      Son of a bitch.

       

      3-3-2

       

      [The remainder of the page is a less-far-out shot of everyone abandoning their equipment and filing inside the MoI.]

       

      FILSS: [Still over PA (in a text box in the top left corner)]

      The simulation is now over, please proceed to your next duties.

       

      [TITLES AND CREDITS are in the center or bottom left corner]

       

      FILSS: [bottom right corner]

      Will someone please help Agent Washington out of the paint?

       

      Page 4

       

      4-1-1

       

      [Back to the six-grid (sort of) and the first panel is of WASH in a room with a screen preferably.  I want this to feel like the flashback from Recovery One where Wash and the Councilor talked through the glass wall. He’s alone and flicking off some of the paint.]

       

      Wash:

      I hate that stuff…

       

      4-2-1

       

      [The sound of a radio going off and the COUNCILOR come on the screen.  WASH acknowledges this but does not exactly stand at attention either.]

       

      The Councilor:

      Agent Washington, how are you doing with your special training?

       

      Wash:

      I am doing fine.  It’s an adjustment.

       

      4-3-2

       

      [A shot of the screen with the COUNCILOR obviously probing, WASH’s line comes from the POV]

       

      The Councilor:

      Would you say it is difficult to work on your own after all of the time with the team?

       

      Wash:

      Not exactly.  I don’t think having a team would have changed much out there.

       

      4-4-2

       

      [A side-long shot where the COUNCILOR and WASH can be seen]

       

      The Councilor:

      Do you still feel like you have trouble communicating after the Epsilon incident?

       

      Wash:

      Not so much.

       

      4-5-3

       

      [Just a shot of the COUNCILOR again with a furrowed brow]

       

      4-6-3

       

      [Same shot but he’s talking]

       

      The Councilor:

      Than what would your “adjustment” be?

       

      Page 5

       

      5-1-1

       

      [WASH looking at the mirror/screen]

       

      Wash: [Drawn out]

      It’s really. Fucking. Cold.

       

      5-2-1

       

      [The DIRECTOR’s voice comes through the mirror/screen, shocking WASH slightly]

       

      The Director:

      I would say the same thing, Agent Washington.  It is a shame Agents Texas and York did not decide to crash our ship over the warmer simulation bases.

       

      5-3-2

       

      [Still WASH in the room]

       

      The Councilor:

      Director, I would not encourage this sort of behav-

       

      The Director:

      [Interrupting] I believe this is just Agent Washington trying to reclaim some of his old spirits.  I would not begrudge him of that.

       

      5-4-2

       

      [A silent shot of the room again]

      I want this moment to have something about Tex in it, or just to be hollow showing how in tune Wash and the Director have become.  His comment was meant to be probing.  If this was in machinima, a head tilt is all that would be needed.  Hopefully a mute panel will suffice.

       

      5-5-3

       

      [(Over WASH’s shoulder?) The COUNCILOR is on the screen, shuffling his notes]

       

      The Councilor:

      I- believe I have all I need to know for now.  You will run the equipment recovery simulation again tomorrow.  You are dismissed for the day.  And don’t forget to tell us if you remember any more of the break-in or what happened to you during the Epsilon Incident.

       

      Wash:

      It’s just the same for now.

       

      The Councilor:

      Very well, Agent Washington.

       

      5-6-3

       

      [Same shot.  The screen goes off with a click]

       

      Page 6

       

      6-1-1

       

      [Cut to a wide full top third panel shot of the training room.  WASH is in the center  and facing away from the control room.  He’s in a training program like Carolina’s martial arts floaty circle one, but at more distance.  All the spinning targets are red.  WASH still holding his magnum out and “firing”.]

       

      Wash’s Magnum:

      CLICK

       

      Wash’s Magnum:

      CLICK

       

      Wash’s Magnum:

      CLICK

       

      6-2-2

       

      [A face-on of WASH, still aiming. FILSS’s voice is coming through the PA, coming from off panel.

       

      FILSS:

      Agent Washington, you have successfully gone through several full cycles of this marksmanship test and your handgun’s clip.  Would you like me to vary its speed or change the rotation?

       

      Wash:

      No thank you FILSS.

       

      6-3-2

       

      [A wider shot of WASH from the side, still poised to fire.]

       

      FILSS:

      It has been found that mastery of a specific course can become damaging to a soldier’s ability to improvise.

       

      Wash:

      I am not doing this to get better at shooting.

       

      FILSS:

      Do you find this process therapeutic?

       

      6-4-3

       

      [WASH lowers his gun and turns to face the control room.]

       

      Wash:

      You sound like the Councilor.

       

      FILSS:

      I am sorry. 

       

      Wash:

      You don’t need to be.

       

      6-5-3

       

      [WASH lets his gun go down to his side.  He’s not as tense anymore.]

       

      Wash:

      FILSS, do you have any knife training programs?

       

      Page 7

       

      7-1-1

       

      [A wide shot of the training room again, but this time there’s mechanical noises as hard human-shaped targets come out of the floor on tracks to replace the glowing targets.]

       

      FILSS:

      Certianly.  Melee combat is something the Director encourages all of his soldiers to become proficient in.

       

      7-2-2

       

      [A case rises out of the floor next to WASH accompanied by mechanical sounds.  It is covered with knives.]

       

      FILSS:

      Would you like me to run the tutorial program?

       

      7-3-2

       

      [Wash POV as he picks out a knife]

       

      7-4-3

       

      [A bottom-third panel that’s a silhouette of WASH, the knife being thrown, and a target.]

       

      Page 8 and Page 9

       

      8-1-1

       

      [Show the target with a knife straight through the heart.]

       

      Wash:

      I’d rather improvise.

       

      8-2-1

       

      [The rest of page 8 and all but the lower right corner of page 9 are a big splash page back in the “present” interview room.  This follows the same pattern in this room and is up to the artist.  WASH and the INTERVIEWER are on either side of the table.  Show the records on the table.  Don’t show WASH in the two-way mirror.]

       

      Interviewer:

      It would seem you were being kept in isolation too.

       

      Wash:

      Well, yes, but that was just as much about me as the simulations.  Those of us on the leaderboard that were still alive were given missions while the lower forty were completely moved to simulation duty. 

       

      Interviewer:

       The scattering of assets.

       

      Wash:

      Bingo.

       

      Interviewer:

      Our records for each dispatched Freelancer are detailed except for Wyoming.  We only have that he was the last to leave of the higher ranking agents.

       

      Interviewer:

      And a note that his departure caused an “un-explained outburst in Agent Washington” that is later attributed to your Post-Epsilon paranoia.

       

      9-N-N

       

      [This panel is WASH staring into the middle distance]

       

      Interviewer:

      Can you tell me about Agent Wyoming’s departure?

       

      Page 10

       

      10-1-1

       

      [A similar shot of Past WASH in his quarters (sparse like the last one, he just moved in).  This WASH is also lost in thought.]

       

      10-2-1

       

      [WYOMING leans in through the door.]

       

      Wyoming:

      Knock, knock.

       

      10-3-2

       

      [We’re in a “memory” now, the same fuzzy AI-scape from the parts at the beginning of each issue.  ALPHA is banging on a closed door with a Gamma computer panel nearby.]

       

      Alpha:

      I need to get through…  I need to get through…

       

      10-4-2

       

      [Similar to previous.  Gamma’s dialog comes from “nowhere” it’s still a dialog balloon, but not with any directional indication.]

       

      Gamma:

      Knock, knock.

       

      10-5-3

       

      [ALPHA stops trying to open the door and looks around]

       

      Alpha:

      Hello?  (Bubble Break) Who’s there?

       

      Gamma:

      Knock, knock.

       

      10-6-3

       

      [ALPHA looks around more, panicked.  I imagine a closer shot.]

       

      Alpha:

      Who’s there? I need to get in!

       

      Page 11

       

      11-1-1

      Page 11 is four quarter-page panels.

       

      [A new, more manic angle on ALPHA turning in front of the door.]

       

      Gamma:

      Knock, knock.

       

      Alpha:

      Please!  Who’s there?  They’re on the other side!

       

      Gamma:

      Knock, knock.

       

      Alpha:

      My friends are in trouble!

       

      Gamma:

      Knock, knock.

       

      11-2-1

       

      [ALPHA leans against the door, holding his head in his hands.]

       

      Alpha:

      Please, I need in!

       

      Gamma:

      Knock, knock.

       

      Alpha:

      Who’s there?

       

      Gamma:

      HA-HA

       

      11-3-2

       

      [ALPHA slides down the door to a sitting position.]

       

      Alpha:

      It’s not funny!  She’s- They’re on the other side!

       

      Gamma:

      Knock, knock.

       

      Gamma:

      HA-HA

       

      11-4-2

       

      [ALPHA is now in the fetal position.  His body and dialog formatting is now “glitching” into that of THETA.  Surrounding him and more a part of the background than actual dialog are Gamma’s “Knock, knock” and “HA-HA” bubbles.]

       

      Alpha/Theta:

      Please…  Help…  Who’s there?  Who’s there?  Who’s there…

       

      Page 12

       

      12-1-1

       

      [Out in the MoI hallway, WASH has pinned WYOMING up against the wall.  WASH is breathing heavily.]

       

      12-2-1

       

      [WYOMING raises his hands.]

       

      Wyoming:

      Woah, there mate…  I was just stopping by on my way out.

       

      12-3-2

       

      [PF TROOPERS run into view.  They have weapons ready but not yet pointed at WASH]

       

      12-4-2

       

      [A pulled out shot showing WASH letting WYOMING down.]

       

      Wash:

       I- I wasn’t expecting anyone.

       

      12-5-3

       

      [WASH raises his hands, WYOMING dusts himself off, and the PF TROOPERS lower their guns.]

       

      Wyoming:

      Nothing to worry about here, gentlemen.  David is just reacting to my natural stealth.

       

      12-6-3

       

      [WYOMING faces WASH directly.]

       

      Wyoming:

      An AI can really can really mess with your head.

       

      Page 13

       

      13-1-1

       

      [Back to the Interview Room.  WASH has turned to face the INTERVIEWER.]

       

      WASH:

      I’ll tell you what I told the Councilor, in case you don’t have that.  Wyoming snuck up on me while I was sorting through the Epsilon incident in my head.  It caught me off guard and I became defensive.

       

      INTERVIEWER:

      And is there anything else to add?

       

      13-2-1

       

      [Shot of WASH]

       

      WASH:

      I never liked Wyoming and Gamma’s knock-knock jokes.  They brought back bad memories I wasn’t in a state to handle.

       

      13-3-2

       

      [Full middle third shot of them both across each other at the table]

       

      INTERVIEWER:

      Memories from your missions together?

       

      WASH:

      The punchlines were never good and he wasn’t as clever as he thought he was.

       

      INTERVIEWER:

      And his lack of wit upset you?

       

      WASH:

      It only ever made a bad situation worse.

       

      13-4-3

       

      [Silence at the table]

       

      13-5-3

       

      [Same as previous.]

       

      WASH:

      Should we move on to the next file?

       

      Page 14

       

      Page 14 has a panel in the top left that is the INTERVIEW ROOM and the rest I see as a very wide birds-eye shot of Freelancer City (Standoff (Halo 3)(with a gate that looks like Highground (as seen in Reconstruction)) It’s another roaming narration splash page.

       

      14-1-1

       

      [INTERVIEWER is sorting through the documents and recordings on the table.]

       

      INTERVIEWER:

      Yes- Why don’t we?

       

      14-2-1

       

      [The wide bird’s eye view of Freelancer City.  There’s activity and a lot of crates and a large group (30-60) of Gray PF Troopers (Recovery Troopers) off in an acceptable location in front of a bunker (and a make-shift stage as well).  All dialog is in narration boxes.]

       

      INTERVIEWER:

      At the point which we’ve determined as when the Alpha was relocated there is very little documentation, but it seems to be after Wyoming and Florida made their departures and just before the relocation to an old mass communication facility on the simulation planet where Blood Gulch was. 

       

      INTERVIEWER:

      Around this time we believe the Recovery Force started in full.  Is this correct?

       

      WASH: (Future Blue Wash)

      Yes, it is.

       

      INTERVIEWER:

      The next recording is from the Councilor, and one you might find very interesting.

       

      COUNCILOR:

      Notes for the File of Agent Washington: Post-Epsilon Recording 57

       

      COUNCILOR:

      Today we begin the next stage of reintegrating Washington into the Project.  Though his current disposition makes him the perfect agent to recover the equipment of fallen agents, there are still so many variables.

       

      Page 15

       

      Page 15 is a series of panels closing in on the group of Recovery Troops coupled a piece of COUNCILOR dialog each.

       

      15-1-1

       

      COUNCILOR:

      We are hoping that putting Washington into a position of leadership will either bring out his old personality traits or give us some idea of what the Epsilon fragment contained. 

       

      15-2-1

       

      COUNCILOR:

      Even in the containment unit at the new facility, Epsilon itself is only a mess of thoughts similar to the Alpha’s at the time of fragmentation.

       

      15-3-2

       

      COUNCILOR:

      I believe that keeping Wash and Epsilon so close is a risk but the Director would like to see it out.

       

      15-4-2

       

      COUNCILOR:

      He also believes that at the very best Washington will rise to his position of leadership and at the worst things will continue as they are.

       

      15-5-3

       

      COUNCILOR:

      With the Alpha as well, it seems providing structured opportunities will be our modus operandi for a while. 

       

      15-6-3

      [This panel is the last in the zoom in.  The RECOVERY TROOPERS are in a few rows. In the 2nd row and not in the center of the group but in the center of the shot are three RECOVERY TROOPERS with TEAL, SALMON, and SAPHIRE (in this order in their row) accents (shoulder and helmet stripe (we’re in Halo 3 now for RECOVERY TROOPERS but WASH still has Halo 2 armor).]

       

      COUNILOR:

      Post-Epsilon Recording 58: I certainly did not expect this.

       

      Page 16

       

      16-1-1

      [A front view of RECOVERY TROOPER TEAL and RECOVERY TROOPER SALMON]

       

      RECOVERY TROOPER SALMON:

      I wonder if we’ll get new armor.

       

      RECOVERY TROOPER TEAL:

      Really?

       

      16-2-1

      [RECOVERY TROOPER SALMON and TEAL are now in a full conversation.]

       

      RECOVERY TROOPER SALMON:

      Didn’t you hear?  Jimmy got a special promotion before we left that cold place.  He got this tight set of cobalt armor!

       

      RECOVERY TROOPER TEAL:

      Sweet, I can’t wait to see what we get.

       

      16-3-2

      [Pull out to show RECOVERY TROOPER SAPPHIRE chiming in.]

       

      RECOVERY TROOPER SAPPHIRE:

      Guys, we just got new paint in this special ops dark gray.  Why would they go to all the trouble of painting our old suits if they’re just gonna give us new ones?

       

      RECOVERY TROOPER TEAL:

      But he just said Jimmy-

       

      RECOVERY TROOPER SAPPHIRE:

      That’s one guy getting one set of armor for a secret promotion.  No one has heard from Jimmy lately, after all.  We’re several soldiers getting a new job together all at once after getting a new paint job.

       

      16-4-3

      [The three of them are silent.]

       

      16-5-3

      [RECOVERY TROOPER SALMON looks excited again.]

       

      RECOVERY TROOPER SALMON:

      Maybe we’ll get new equipment!

       

      Page 17

       

      17-1-1

      [RECOVERY TROOPER TEAL shares SALMON’S enthusiasm. SAPPHIRE does not.]

       

      RECOVERY TROOPER TEAL:

      Dude, that’d be awesome! I always hated the sights on my gun.

       

      RECOVERY TROOPER SAPPHIRE:

      Idiots...

       

      17-2-1

       

      [The RECOVERY TROOPERS are shocked to attention.]

      WASH:

      GENTLEMEN!

       

      17-3-2

      [Pull out to an over-the-shoulder pov of WASH addressing the RECOVERY TROOPERS from the stage. He’s up higher than them.  This panel is the remainder of the page and WASH’s speech is supposed to reminiscent of some of Church’s.  Orient it around the panel as you see fit.]

       

      WASH:

      I bet you’re all wondering why you are here.  I won’t waste any more of your time and tell you.  You are here because after the Break-In on the Mother of Invention Project Freelancer has been going through changes.  These changes have included increased threats on our operatives and assets and the confidential nature of this project.  To combat these threats all of you have been selected to act as a safety net for those assets when necessary.  You have been selected because of your dedication to the Project, your skills, and your discretion.  I know this because I am Recovery One, and though we will be working for the same goals, we will not be seeing much of each other.

       

      Page 18

       

      18-1-1

      [This is a flip of the last shot (and a full page panel).  We’re looking up from the group at WASH in the center of the stage and 47-9’ER is standing off to the side and back.  WASH at one point mentions her so he’s probably gesturing to her as well.]

       

      WASH:

      You all were there during the attack by Agents Texas and York.  We were hit hard not only because they crashed our ship, but because we were attacked when we all were together.  We lost Agent Carolina that day and Agent Maine is still MIA.  So too are the traitors.  We have to learn from this incident.  If we were to continue to work as one our enemies can also take us out as one.  But if each one of us does their job together with the rest of us doing their jobs, we might have a chance.  Project Freelancer is spreading out to recover.  We will be agents of that recovery.  While Project Freelancer conducts its simulations in this system, we will be here to maintain those simulations.  We will clean up messes, retrieve sensitive materials, and above all else we will keep the secrets of Project Freelancer.  This [gesturing to 47-9’er] is the voice of Recovery Command.  She will be giving you your numbered designations today and all of your missions from this point onward.  Before I hand this meeting over to her I have one last piece of advice for you. 

      [bubble break]

      Trust yourself first.  Know why you’re here and act on that.

       

      Page 19

       

      19-1-1

      [Back in the Interview Room, the page is similar panels of WASH and the INTERVIEWER]

       

      INTERVIEWER:

      And that was that?

       

      WASH:

       That was that.

       

      19-2-2

       

      INTERVIEWER:

      You didn’t get any reprimanding for that speech?

       

      WASH:

       What could they have done?  Demote me suddenly after introducing me to the Recovery Forces?  Contradict my completely honest assessment of the Project and our role in it?  Have someone other than 9’er babysit a Freelancer because he might be “unstable” at the same time we were being investigated?

       

      19-3-3

       

      WASH:

      They put me in a corner, I put them in one.  Things went on with training from there.  And unless you have questions I don’t know if there is much more to say about that point in time.

       

      Page 20

       

      20-1-1

      [The INTERVIEWER looks through his documents.]

       

      INTERVIEWER:

      No, there’s nothing more about your training I need clarification on, but in my research I came across another interesting instance without much documentation.

       

      20-2-1

       

      INTERVIEWER:

      The first two recovery beacons came from two very different sources and shortly after one another.  Agent Florida’s recovery beacon was sent out and your Recovery Corps were sent to deal with it but that was only after you went after the first Recovery Beacon to go off.]

       

      20-3-2

      [This panel takes up the middle third of the page and goes into the past.  Wash is alone in his bunk room.  It’s his down time and I’d figure he’s messing with a knife.  Clearly lost in thought.  A silent panel.  With a dark/blue tone/pallate] 

       

      20-4-3

      [Wash is shocked, giving a jump of fright.  His knife goes flying.  This panel has bright/red as the tone and palate.  The sound effect should be dynamically placed.]

       

      Sound Effect:

      [As best as I can approximate the Morse Code-like sound of the Recovery Beacon.]

      De-dede-deee!

       

      Page 21

       

      21-1-1

      [This is a half-page panel of WASH loading up a HORNET with supplies in an Freelancer City hanger (it’s early morning).  47-9’ER is standing by, giving him instructions.  She has a tablet to reference.  It’s not necessary and should be very subtle but if we can see it, the tablet reads:

      -Recovery Beacons ACTIVE for Agent Virginia and Agent West Virginia-

      Mission Priority: Recovery of Agent Virginia and Agent West Virginia’s Equipment and Data Logs.]

       

      47-9’er:

      They’re pretty isolated out there. The Hornet will get you through the mountains easier than a Pelican..  You shouldn’t have a hard time finding the place, but a storm’s coming, might make landing difficult. 

       

      Wash:

      Great…

       

      21-2-2

      [We’re pulling out from that shot to behind the Director and Councilor, who are watching from a catwalk.]

       

      47-9’er:

      I’ll brief you on more of what we know in the air.

       

      Wash:

      I guess I better get going then.


      Page 22

      [Page 22 is a big splash page with a head-on view of WASH flying his Hornet away from the rising sun and Freelancer City.  It’s the big “Cowboy heading off to the pass” kind of shot.]

       

      INTERVIEWER: (Narration box)

      I’d like to know about what happened when you went after Agents Virginia and West Virginia’s recovery beacon.

       

      End of Issue 2

      --------


      TAG BAG

      #redvsblue

      #rvb

      #RvB15

      #RvB14

      #RT14

      #FanWork

      #fancomic

      #fanfiction

      #008

      #RedvsBlueRecovery

      #recoveryone

      #wash

      #agentwashington

      #alpha

      #Epislon

      #church

      #theta

      #wyoming

      #projectfreelancer

      #FreelancerCity

    • Merch March Photo Collection 3

      3 weeks ago

      AgentWashingtub008 FIRST Member Star(s) Indication of membership status - One star is a FIRST member, two stars is Double Gold Crackpot of Coffee

      Whoooo, boy that was a good #Merchmarch!  I think I did pretty well with the #Merchmarchchallenge.  What about you?  Are you in the running for one of @ailsarocks 's prizes?

      ---


      It's not a real-deal RT skate deck, but I won this pizza hut board at and decorated it fittingly.

      C7nx3WjVwAAHRtU.jpg

      --------


      Still need to add my dev team button, but RT patches and pins are on the Vortex.

      C7ufxrqVwAAfhLB.jpg

      (Update, I did add it and Best Girl  ruby but I never got around to taking pictures.

      -------


      All this ing makes me hungry! And thirsty. I still haven't used the coupon...

      C7yNbevVUAAUX-U.jpg--------


      Some veru useful products to mention the s themselves. Art supplies! Cosplay! Something, probably!

      C75g60wVQAEb-_t.jpg

      C75g7T2VYAA8kn2.jpgC75g7O7VYAAczXe.jpg--------


      On my weekdays off I am king! It's the right attitude brought to you by this Achieve Shirt.

      C78E2r7U8AEF49m.jpg

      -------


      I spy

      C8DgqwOV4AArH0b.jpg

      --------


      Did you find all 3 RWBY blind box Yangs in yesterday's post? Because I certainly did! C8HEcNxVYAAo_fm.jpg

      -------


      I'm having trouble figuring out something witty for today's ... Join me, won't you?

      C8MY03rUAAANC9-.jpg

      -------


      We've made it to the other side of ! Thanks for joining me! And thanks to for 14 years.

      C8QenKBVwAAnd-x.jpg

      --------


      And that's that.  It was interesting but fun.  I wonder what'll be different next year...

    • 008 Mini Update- Field Notes for RvB 15

      3 weeks ago

      AgentWashingtub008 FIRST Member Star(s) Indication of membership status - One star is a FIRST member, two stars is Double Gold Crackpot of Coffee

      Over in the forums we've been snapping at any #RvB15 information we can get.  We're less than two weeks away from the 14th anniversary of the SHOW AND THE COMPANY, PEOPLE!  That's no conformation of anything, but just something to note by itself.


      WE JUST RECEIVED A RECAP OF "ALL" OF RED VS BLUE CONFIRMING THAT THE FIRST EPISODE WILL AIR APRIL 2ND


      As we prepare for the season, I think it's only appropriate I get myself ready for full crackpot mode by making a list of all the things I DO know for sure.  And I may as well share that information.  (And it came up in the forums more naturally...)


      So, here's an itemized list of things we know about the upcoming season or can very reliably speculate.  This will be a post I revisit as we learn more prior to the premiere so feel free to comment anything you can think of, or if you just want to stay as on top of it as me, comment for updates/follow the post.



      Things We Know about Season 15 (Even Tangentially) As of 3:46PM 3/27/2017

      -The story summary states a new plot-driving character who is a reporter investigating the Reds and the Blues and their possible connections to the brewing Human-Alien conflicts in the colony worlds (IE Chorus and the SImulation System)

      -The reporter is female.  This is only important because we can slightly speculate to the possible in-house RT actresses who haven't played roles and what her personality might bring to the character.  External actresses are possible but not as fruitful for speculation.  Too many.

      -There is an unknown timejump between seasons, but it is likely within months like most previous ones.

      -Writing and Directing has been handed over to Joe Nicolosi who wrote, directed, and animated Brick Gultch, the RvBVR shorts, and his own comedy shorts, animations, and skits.

      -Miles, Burnie, and Matt are still involved with story to a degree.

      -Kerry was present at the RTX AU panel for RvB.

      -Machinima is being done in Halo 5

      -Machinima has been done in a night-time variant of an industrial map with a city skybox that in Halo lore is a colony world.

      -Brandon and Kerry have commented on recording lines, meaning that Palomo and Bitters will return for speaking roles.

      - Geoff has confirmed he has/will be recording lines.  As has Gus.  (I'm just putting this here to be through.)

      -Church's plan to delete himself has (for all intents and purposes of the current plan) succeded and some new form of the fragment personas will be returning.  This fact has been compounded by the recap video.

      -There's a hidden gem in a few recent posts by RT that I'm not sure if anyone here caught onto.  I don't want to ruin the surprise, BUT several official RT posts in the pre season 15 hype building in the forums and on other social platforms have mentioned Sister.  And not just a mention, but with enough importance to consider her extened return in 15 as being almost garunteed.  It was tucked nicely into the post about Wash AND Sister lines, true, but she keeps coming up publicly.

      -It has been discussed that retro/classic merch could return to the store sometime soon.  This includes the Red vs Blue Jersey shirts which appeared very early on.  Gavin is lobbying for Grif's to be the original intended 69 rather than 22. 

      -Red vs Blue Season 15 will begin on April 2nd and probably will continue in the Sunday animation slot.  

      -Promotional materials for Season 15 show Donut, Sarge, Caboose, and Tucker in animated poses.  Tucker is in the standard Halo 5 Moljnir armor instead of the Hephaestus (The Charon Meta Suit).  It is unknown if he is wearing an altered suit or if he gave it up.

      -A misleading banner was made for social media.  The premiere still will be on the 2nd, NOT THE 4th.

      ---------------

      NEW INFORMATION BELOW THIS POINT

      ---------------

      -A trailer launched showing the Journalist and her team embarking on a quest to find the "Reds and Blues" who seem to be attacking colony worlds with weapons that don't really match up with the idiots we know.  Another villain with weird armor is stalking everyone too.  Eventually the News Team will got to Blood Gulch and find Sister.


    • Red vs Blue: REC0VERY- Issue 1 (Speculative "Proposal" Script for a Fan Comic)

      3 weeks ago

      AgentWashingtub008 FIRST Member Star(s) Indication of membership status - One star is a FIRST member, two stars is Double Gold Crackpot of Coffee

      I was going to save this for the 1st, but I want to get this out, I need the feedback, and Issue 1 has been in a state of "ready" for a while now.  So, as an early treat to you all, RT personnel and not, this is my way of saying thanks for 14 years of something really special.  I might have something else in store for the 1st. 


      I hope you enjoy, and tell me what you think.  Here it goes:

      --------



      Red vs Blue: REC0VERY

      Max H. Gurnard

       

      #TellYourRvBStory

       

      This is a treatment for a mini-series of comics set around a story of RvB.  It is based largely around what I think happened but set in a way trying hard not to confuse continuity.  It’s a little hard.  This is very informal in that I do not know if it will ever go far beyond this computer.  It is a fan work done as an exercise and in appreciation of Rooster Teeth.  All comments in note sections are meant to be casual and entertaining.  Though a frame story is present it covers the beginning of Agent Washington’s career in the Recovery Program and ends around the same instance that began the BGC and Wash’s full time as RecoveryOne

       

      Since this is based off of a web-series filmed in Halo, the actual look of things is pretty obvious.  It’s Halo (specifically things will all (unless otherwise noted) be Halo 2 style things as that is the armor Freelancers had up until the events of Recovery One where Wash and South were able to get Halo 3 armor from PF or other military sources (and all of the Sim Troopers upgraded around that time too). 

       

      If I was doing the art it would be fully and accurately colored people with backgrounds largely shades of one or two colors and important objects being fully colored too.  Also I’m thinking heavy lines in a Jack Kirby style or like Lichtenstein.  The reason for this pop-art approach is because it hasn’t been done in RvB before, I love it, and I imagine Wash would be a fan.  This is his story.

       

      The following notes are present because I don’t know if everyone knows how a comic script works.  I certainly didn’t when I first read one (highschool).

       

      I think it would be best if odd pages were on the right, starting with page one on its own, and even pages were on the left.  The reveals and paired pages have been designed in this format.

       

      Though I’ll lay out what I plan on panels looking like most of the time, the standard will be a two across and three down grid.  Things like how wide or narrow a certain panel is in my mind will be addressed in the Panel Discription.  Also, for quick reference I will label panels like this 1-2-1 for page one, panel 2, row 1.  That panel would, in the six grid, be in the top right corner.  The panel in the bottom left would be labled 1-5-3.  This is a spec script, I understand things would change.  Speaking with the artist about layouts would determine their final placings.

       

      The phrase “bubble break” means that the dialog is in two seperate comments in connected bubbles but not interrupted by a second speaker.

       

      More Formatting notes:

      -Bold things are present to help locate important information.

      -Italics will be author notes. 

      -Things in [Brackets] will be panel or art discriptions.

      -Character lines will be presented with the character name above otherwise marked text.  If it is a narration box that will be implied after the colon (:).  All lines in the panel will be presented in the order they are said/probably should appear in a left-right up-down manner and if a character has multiple lines in a panel, that means multiple bubbles seperted as they have been in the script is intended.

      -Bold, italics, or any other format IN a character line is meant to be reflected in the speech bubble. 

       

      I see each character as having unique speaking/narration/saying-things-off-page boxes.  Here they are, and unless noted for one reason or another I see AI’s having techy-looking font and people having more organic looking ones (like Courier and Times New Roman but other pairs are fine).  Also Characters (especially AI) having colors in their speech bubbles is something I’d be fine with but it’s more work and ink than is “necessary.” This list is presented as Text Color on Box Color.

       

      WASH: Yellow on Gray (Perhaps differentiate Past Wash with this and “Present” Wash with Yellow on Light Blue)

      INTERVIEWER: White on Olive

      DIRECTOR: Light Blue on Black

      COUNCILOR: Black on Light Gray (Perhaps a Smoother font)

      ALPHA: Light Blue on White (AI)

      EPSILON: White on Light Blue (AI)

      47-9ER: Gray-Blue on White (I realize there’s a lot of blues here but that’s half the show)

      FLORIDA/FLOWERS: Black on Cyan/Aqua

      FILSS: Blue on Black (AI)

      WYOMING: Black on White (with a “British” font (Copperplate Gothic Light?))

      HARGROVE: Dark Gray on White

      TEX: White on Black (AI (Wash knows so why not?))

      OMEGA: Purple on Gray (AI)

      DELTA: Light Green on Dark Green (AI)

      GAMMA: Light Green on Light Blue (AI (maybe even more computer (pixely)))

      SIGMA: Red on Orange (AI)

      THETA: Red Pink on Blue Purple (AI)

      ETA: Aqua on Yellow (AI)

      IOTA: Yellow on Aqua (AI)

      MAINE: Brown on White

      YORK: Silver on Gold

      CAROLINA: Silver on Aqua

      NORTH: Green on Violet

      SOUTH: Lime on Lavender

      CONNIE: Light Gray on Brown

      VIRGINIA: Tan on Navy

      WEST: Brown on Navy

      INDIGNAT MECHANIC: Rose Pink on White

      RECOVERY FORCES: Their Accent Color on Dark Gray

      PROJECT FREELANCER TROOPERS: Standard Black on White (they’re not really all that important)

       

       

       

       

      And that, roughly two pages in, should cover what I’d like to.  Now we can get to the actual script.  Yay!

       

       

       

      Issue 1

       

      Cover

      [I’ve yet to decide if I want a thematic repetition in the covers or just a cool cover per issue.  However I’m just thinking Wash’s helmet on a metal surface under a shaft of light-blue light is best for either option in the first issue.  The titles should follow the branding of RvB but the actual subtitle of REC0VERY (the zero is important) I think would be cool if it was close to Recovery One but maybe a bit more simple (just a type-writer/old coding tech font)]

       

      Page 1

       

      1-1-1

      [Page One is one big splash-page in my mind (starting as the right hand page so Page Two gets a better reveal) and is just a shot of a simple military interview room with a table covered in devices and papers.  There is a two way mirror on the wall (the kind in police interview rooms.  It’s important that multiple the-Halo-future-equivolent-of-tape-recorders are on the table too.  Seated on either side of the table is AGENT WASHINGTON (refered to as WASH from now on) and his INTERVIEWR/UNSC ARCHIVIST.  WASH is in his armor from Halo 4 in this picture and all other ones set in the interview room (I’m being purpously vague in-story, but I imagine this as happening between-seasons 10&11).  WASH should have his back to the “camera” and IF his helmet is off all we ever see is his messy blonde hair with a white streak or streaks.  Maybe his chin with some messy 7:30 shadow.  That depends on if the picture needs it.  For body language, I want it to be clear that WASH doesn’t exactly want to be here.  He’ll cooperate with direct orders and questions, but he is tired of these interviews about PF in dark rooms.  He’d rather be with the Reds and Blues. The INTERVIEWER, well he or she could look like anyone.  There’s no particular reason for anything so we can have fun with it.  I’m only thinking that the INTERVIEWER should be clearly military and an academic.  Also, worst case scenario the INTERVIEWER is obscured too.  The INTERVIEWER is frustrated in an exhausted way about how difficult his job and this current interview is.  All of the dialog on this page is scattered around the main picture (them at the table) in either pairs of boxes or balloons of the back and fourth of the characters.]

       

      Interviewer:

      Special Agent David-

       

      Wash:

      Call me Wash, it’s what my friends call me.

       

      Interviewer:

       Thank you for your cooperation.

       

      Interviewer:

      …Wash

       

      Interviewer:

      As you are no doubt aware, the UNSC has just publicly received a bulk of what used to be either classified or presumed missing information from Project Freelancer after both primary facility losses.  One instance of which you caused.

       

      Wash:

      Yes, the E.M.P.

       

      Interviewer:

      Well, now I have been charged with the task of assembling all of these files in a coherent timeline.

       

      Wash:

      I don’t envy you.

       

      Interviewer:

      Well, yes, but I was hoping you would be able to help me with a particularly complicated era in the records while you are here.

       

      Wash:

      Sigh I’ll do what I can, but what do you mean by complicated?

       

      Interviewer:

      There is a point in time where all of the records are so fragmented, edited, or vaguely written that I am at a loss to contextualize anything.  I’m not sure if I even can put the records together for periods of time.

       

      Wash:

      That happened a lot.  You don’t need me here to confirm that.

       

      Interveiwer:

      No, the reason why you are here is because you seem to be the only person with the knowledge to help me reconstruct these events; the events occurring after the “Epsilon Incident” and the “Break-in”

       

      Wash:

      Sigh…

       

      End of Page 1 (Wash’s sigh should be in the far bottom right of the page)

       

      Page 2

       

      2-1-1

       

      [Page 2 is another splash page, this time it’s an homage to the opening shots of Seasons 1&6.  The subject is the crashed Mother of Invention being converted into “Blue base” on Sidewinder and also a temporary HQ for PF before they move to “Freelancer City” on a bright morning at Sidewinder.  If at all possible I’d like this angle on the ship to make it look just a smidge like Red Base in that first shot of season 1.  Keep in mind though this is a fair amount of time after the initial crash so there’s snow on and around the base.  Also, and this is the part that is tribute to season 6, there are a lot of PF STANDARD TROOPS (light-armored soldiers in white with ODST helmets) with JEEPS, TANKS, CRATES, and such because they’re all working on the conversion of the ship to a base.  I have a reference picture but I imagine the dialog as presented here to be oriented as so in the 2x3 grid:

      Wash’s first line of dialog: 2:1:1 far left

      Title and Credits: 2:2:1 centered

      Other Dialog boxes: 2:6:3

      C8DlnEzVwAAXIJi.jpg

      The image was created prior to deciding on the REC0VERY stylization]

       

      Wash:

      … of course that’s why I’m here…

       

      Titles and Credits:

      RED vs BLUE

      -REC0VERY-

      Issue #1

      Writer: Max H. Gurnard

      Artist: XXXX XXXX

      Letterer: Maybe there will be one

      Other Important People: The names of the other important people

      (The rest of the titles and credits will follow with this pattern and appropriate issue number)

       

      Interviewer:

      I’m going to play the first recording I have to start.  Feel free to start filling in the blanks as appropriate.

       

      Wash: Sure.

       

      Page 3

      [The panels on this page are drawing in through the MoI in hallways that have become smaller and father away from general areas.  The amount of PF troops doing construction work dwindles with each panel.  The panels would also look cool if they got smaller too as we got very deep in the bowels of the old ship.]

       

      3-1-1

      These are all dialog boxes, not balloons because they are not present in any of these shots.  Also, there can be more panels than there are dialog boxes as long as the first is in the first panel and the last is in the last.

       

      The Director:

      Did we ever get a sense of just what Epsilon’s core attribute was?

       

      3-2-1

       

      The Councilor:

      The Epsilon fragment’s mind was so frenetic that an exact attribute is difficult to assign.  Based upon the changes in the Alpha after his unusually long recovery period during the break in we have discovered much of his personal pain and internal strife has gone.

       

      3-3-2

       

      The Director:

      Is that all you have?

       

      3-4-2

       

      The Councilor:

      Well, based upon Agent Washington’s reaction to the Epsilon fragment…  He has become more withdrawn and contemplative after the Epsilon Incident.  It would seem as if he has attained what the Alpha has lost.

       

      3-5-3

       

      The Director:

      Do you think he will ever be the same?

       

      3-n-3

       

      [In this last panel we are in a room (Solitary) vaguely blurry with a solder (ALPHA) adjusting his helmet as if he is putting it on.  The room is gritty with a sloppily made cot and trunk visible in the back corner.    Right now the soldier is glowing a very light blue like the ALPHA.  He is staring at a mirror (easily just one of the computer panels of the map).  The shot is looking at ALPHA sidelong.]

       

      Alpha [tired]:

      A reassignment?

       

      Page 4

       

      4-1-1

       

      [The first panel is a view over “ALPHA’s” shoulder.  We see (in the mirror) the reflection of ALPHA which is still in the AI world version of Solitary.  The real soldier we’re looking at over the shoulder looks more like EPSILON (more blue than white).] 

       

      4-2-1

       

      [Still over his shoulder, the Epsilon looking into the mirror becomes WASH, (the dark steel armor and they yellow stripe on his helmet (Halo 2)).  He’s turning his head over his shoulder to talk to someone else (in the doorway to the room).  The person in the reflection is now Epsilon who is still looking out at Wash]

       

      Wash [weary]:

      Where am I going?

       

      4-3-2

       

      [WASH is now walking down the hall with 47-9ER.  In the reverse of the past shots, more PF PERSONEL are shown panel to panel.  The working PF PERSONEL all have things that look like futuristic tools (still working on the ship).]

       

      47-9er:

      I’m not really sure.  I have been moved up to [sarcastically impressed] Special Missions Dispatch, but everyone is getting a promotion of some sort lately.  [a break in the bubble]  Everyone who survived anyway…

       

      4-4-2

       

      Wash:

      How are you holding up? 

       

      47-9er:

      I’m fine.  Just got a little whiplash.  I was working on the dropship in a different hanger and almost everywhere went into lockdown in the back of the ship once the break-in happened.  Where were you anyway?

       

      4-5-2

       

      Wash:

      I was still in the med-center.  …I was pretty much in lockdown already.

       

      4-6-3

       

      [I imagine this as a long shot all along the bottom of the page.  WASH and 47-9ER have walked into a big room in the MoI with a lot of people at work all over.  The action of the shot is of 47-9ER bumping into a PF TROOPER (INDIGNAT MECHANIC) who is backing up from whatever she is working on in the middle of the room.  INDIGNANT MECHANIC has rose-pink accents on her armor (Since this is a comic there’s no need to strictly follow the limitations of Halo colors for armor and accents on original characters.) 47-9ER was asking these questions as walking before she bumped into the MECHANIC]

       

      47-9er:

      Right, your AI went bad.  What happened with it?  I knew there were some bad eggs, like Tex’s, but how did it floor-

       

      Sound Effect:

      BUMP

       

      47-9er [temper showing] separate bubble after the bump-sound effect:

      Hey, buddy, watch where the fuck you’re going!

       

      Page 5

       

      5-1-1

       

      [The MECHANIC is now standing and facing 47-9ER aggressively and 47-9ER is matching her. I imagined Meg in this role doing her whiny internet voice back when this was invisioned like an episode and before “Megxit” so now I can’t think of anyone else for INDIGNANT MECHANIC.   That should be the reference for stature and body language as long as it gains RT and Meg approval (you know, in the hypothetical situation where this actually gets made and all).  With at least one arm MECHANIC is gesturing to the things she’s working on.]

       

      INDIGNANT MECHANIC:

      I’m fixing the vents, an important part of life-support and environment control.  You’re walking down the hallway with a full sight of what’s going on.  Why don’t you watch where you’re going?

       

      5-2-1

       

      [Annother wider shot.  47-9ER stares at INDIGNANT MECHANIC.  WASH has backed up a bit (showing the motion?)  EVERYONE ELSE stops working to watch.  It is a very awkward five seconds.]

       

      5-3-2

       

      [A big centered mid/close-shot. 47-9ER uppercuts INDIGNANT MECHANIC in a very comic-booky action shot.  A THWACK would be nice.]

       

      5-4-3

       

      [A wide shot of everyone staring at 47-9ER standing over INDIGNANT MECHANIC]

       

      5-5-3

       

      [A very similar shot but everyone is now feverously making a show of working.  Some people are whistling, others are muttering things about their projects, there’s sound effects of power tools.  I also would like one worker to be somewhat obviously saying “hammer, hammer, hammer” while holding a wrench.]

       

      Page 6

       

      6-1-1

       

      [47-9ER points to a PF TROOPER (Orange accents)  who reacts nervously (Also remember WASH is only a few steps away.]

       

       

      47-9er:

      HEY, YOU!  [bubble break] I’m Special Missions Dispatch.  You’re new mission is to grab someone from the med-ward to take care of that asshat.

       

      6-2-1

       

       [47-9ER points to another PF TROOPER (maroon accents) nearby]

       

      47-9er:

        And you, go talk to your direct supervisor about the delay she caused.

       

      6-3-1

       

      [Both TROOPS have run down the hallway (their bubbles come from off-shot) and 47-9ER is off yelling after them with her arms crossed.]

       

      Both Troops:

      Yes ma’m!

       

      47-9er:

      That’s “YES, SIR!” We’re in the goddamned military!

       

      6-4-2

       

      [A shot from behind of both troops running down a hallway.]

       

      2nd PF Trooper:

      She just knocked out our direct supervisor though.

       

      1st PF Trooper:

      Let’s just get out while we still can.

       

      2nd PF Trooper:

      Right.

       

      1st PF Trooper:

      Dumbass.

       

      6-5-2

       

      [WASH and 47-9ER are walking past the workers towards an elevator bay now.  The elevator doors are shiny, this is important on the next page/]

       

      Wash: 

      Well, you’re adjusting fine I guess.

       

      47-9er:

      No matter where I go there’s always idiots.

       

      Wash:

      I’m sure.

       

      6-6-3

       

      [47-9ER presses a button and one of the elevators pings and opens up]

       

      47-9er:

      Seriously man, it’s just you left here from the old Alpha Squad. 

       

      6-7-3

       

      [They are in the elevator.  47-9ER taps the control screen.  (If you can in a shot of both of them, make it so it can be seen they’re going to the “Bridge Level”)]

       

      Wash:

      Did you hear where everyone else was assigned?

       

      47-9er:

      Not really.  The Councilor called it a “scattering of assets” for their protection.  I hear Florida and Wyoming are getting their briefings now too.

       

      Page 7

       

      7-1-1

       

      [The elevator dings and WASH makes to get off.  47-9ER grabs his shoulder.]

       

      47-9er:

      Listen, kid, I’m gonna have hell to pay downstairs in a few so I need to go deal with that.  You take care of yourself.  Okay?

       

      7-2-1

       

      [WASH is out of the elevator facing 47-9ER still inside.]

       

      Wash:

      I will.  [bubble break] Goodbye.

       

      7-3-2

       

      [The door closes and WASH visably reacts to what he has said (holds head like a headache).  In the reflection on the elevator door, EPSILON mirrors WASH’s pose.]

       

      7-4-3

       

      [WASH walks down the hallway with his head down.  TEX’s dialog box appears over WASH’s head as if it was his own thoughts.]

       

      TEX:

      I hate good-byes.

       

      7-5-3

       

      [WASH arrives at the door marked “Bridge” and he takes a breath before entering.]

       

      Between Panel Sound Effect

       

      Swoosh!

       

      7-6-3

       

      [A narrower panel that’s a shot from the other side of the now open door looking at WASH, the speech bubble is coming from the POV of the shot.]

       

      Flowers:

      AGENT WASHINGTON!

       

      Page 8

       

      8-1-1

      [FLOWERS comes out the door with his arms spread in his Flowers suit (teal HALO 1).]

       

      Florida:

      How are you doing?  I was positively ecstatic to hear you were re-instated for duty.  You’re a charming talent that would have been a shame to be without.

       

      8-2-1

      [FLOWERS goes in for a hug that he’s the only active participant of. WASH is lifted few inches.]

       

      Wash:

      It’s good to see you too, Florida.

       

      8-3-2

       

      [FLOWERS has set WASH down and they’re talking in front of the open door.]

       

      Flowers:

      Wash, call me Flowers now. 

       

      8-4/5/6-2

       

      [These “three” panels all take up the space of one square panel and are “stacked” (4 over 5 over 6)  In panel 4 FLOWERS looks left.  In panel 5 he looks right.  In panel 6 he looks forward and puts his hand to his mouthpiece conspiratorially (he speaks in this panel).] 

       

      Flowers:

      I’m going undercover in a simulation. 

       

      8-7-3

       

      [WASH cocks his head, maybe even laughs.]

       

      Wash:

      Well, you just broke your cover.

       

      8-8-3

       

      [It’s be cool if WASH and FLOWERS were facing eachother from the last panel to this one.]

       

      Flowers:

      [He gives a chuckle that could be bemused and could be patronizing.  I don’t know how this would be visually represented, but if it could be…] You don’t miss a beat.  Well, I trust I can trust you, right?  Especially after the break-in we Freelancers need to stick together. 

       

      Page 9

       

      9-1-1

       

      [Still just standing there and still just talking.  WASH should look like he’s hiding something (tight stance) and FLOWERS should look like he’s trying not to look like that (wide stance and gestures).]

       

      Wash:

      Yeah, what do you remember about that?

       

      Flowers:

      Not too much that you wouldn’t have been briefed on.  Texas and York showed up to steal all the AI.  York crashed the ship and then Carolina and Maine went to the cliffs to stop Texas and they’re all MIA.  The Twins were dispatched to wander the local simulation outposts and find leads.

       

      Wash:

      And now we’re all being reassigned.  Don’t you think that’s a little odd?

       

      9-2-1

       

      [Straight-on of FLOWERS looking authoritative/patriotic]

       

      Flowers: 

      Now son, I know the Director keeps his secrets but he says we’ve got to have faith in what we’re doing.  This may be a setback for us, but as long as we deal with it ourselves, the project will still work out.  Keep that in mind.  We’ve got a rough time ahead.

       

      9-3-2

       

      [Close in on FLOWERS’s visor where EPSILON is standing where WASH would be.]

       

      Wash:

      Yeah, I’ll remember that.

       

      9-4-2

       

      [A wide shot as FLOWERS begins walking away but talks over his shoulder.]

       

      Flowers:

      I hope the rest of your recovery goes smoothly, Wash.

       

      9-5-3

       

      [WASH looks back at the window in the door to the Bridge.  EPSILON stares back at him.]

       

      Wash:

      Yeah…  Me too.

       

      9-6-3

       

      [The door opens with another swoosh and WASH begins to walk in.  The COUNCILOR’s word balloon comes from inside.]

       

      The Councilor:

      Agent Washington, please come in.  We have much to discuss.

       

      Pages 9 & 10

       

      Pages nine and ten are back to an artist’s choice set of pages like page 1.  From the perspective of the dialog there’s only a few needed connections to be made to the images and I’ll be sure to outline when that happens.  But outside of that the number, size, and “grid” of panels is completely up to the artist.  Over the next two pages the dialog boxes are from the INTERVIEWER and “present” WASH. 

       

      9-1-1

       

      [For stage setting purposes I see WASH, the DIRECTOR, and the COUNCILOR all seated at a table in an otherwise abandoned bridge of the Mother of Invention with some obvious signs of restoration mid-progress.  There are some papers and paraphanilia on the table but it has been cleaned for the interview session with Wash.  If you want to show these papers, they are all centered around Wash and some have been slightly redacted or re-sealed as classified.  The DIRECTOR won’t be talking much and its cold enough to see breath in here so I’d give him an MoI coffee mug like the ones in the RT Store (also steaming) for a fun easter egg.  It’s cold because the main window in the bridge is still broken and covered by a tarp or tape and such (it hasn’t been that long since the break in).  If you can fit that into the establishing shot that’s cool, but a full shot of the broken window would fit nicely when WASH brings up how recently the break-in was after a few lines.]

       

      Interviewer:

      I believe we have a version of your re-instatement on record, albeit a heavily redacted one.

       

      Wash:

      Let me guess, you have my first name, the Councilor’s probing questions, and some cryptic words from the Director.

       

      Interviewer:

       …More or less.

       

      Wash:

         Well, that honestly is most of the conversation, but I can tell you what happened.

       

      Wash:

      They wanted to ask again what I remembered and how I felt about the program.  They said that now that I’d stopped having my short comas their monitoring indicated I was “stable enough to resume active duty” after some physical rehabilitation and new training exercises.  My next assignment would be different from my previous one but necessary for the next stage of Project Freelancer

       

      Interviewer:

      The new assignment being the “Recovery” program that regained the assets lost.

       

      Wash:

      Yes, but they wouldn’t begin the program until I was ready.

       

      Interviewer:

      And you needed to be ready-

       

      Wash:

      As soon as possible.  I may have been on my feet but this wasn’t all that long after the Break-in, and things were still just chaotic enough to give everyone enough time to set their secrets in order.

       

      Interviewer:

      Including your own.

       

      Wash:

      Yes. 

       

      [I’d like a shot of the DIRECTOR deep in thought accompanying WASH’s next line.]

       

      Wash:

       With the release of the Director’s files by Epsilon himself, you know what he is in relation to the Director.  Back then, no one had any idea.  I’m sure they had their suspicions about Epsilon and what fragment of the Alpha’s personality he was, the Director especially, but other than what I may have said during the nightmares I couldn’t remember after waking I wasn’t slipping and they couldn’t risk telling me anything incase it would make me remember for sure.  And Epsilon gave me a very important advantage.  I not only had insight into the Alpha’s mind, but into every AI fragment Epsilon could remember and the man himself.  I’m not saying everything made sense to me, a whole lot of my mind was a mess and still is, but he made no moves I couldn’t understand.

       

      [And now from over the DIRECTOR’s shoulder at WASH]

       

      Wash:

      The only problem is when you’re thinking with half of someone else’s mind you can’t make any moves they’d be able to figure out either.

       

      Interviewer:

      This is how you avoided detection of your true motives for two years while working under Project Freelancer?

       

      Wash:

      Yes.

       

      Wash:

      I was mentally cleared for active duty by being just as calculated and vague as the men in charge of the project.  I’m sure that will be important in your report.

       

      Interviewer:

      One of the not redacted notes made by Price says you “continued to be withdrawn under the guise of increased sarcasm compared to discussions prior to the Epsilon Incident.”

       

      Wash:

      Does it say that the Director laughed at most of my jokes?

       

      Interviewer:

      The rest of that comment has been redacted.

       

      Wash:

      I bet.

       

      Interviewer:

      So all that was actually accomplished that meeting was your staying with the project?

       

      Wash:

      Yes

       

      10-n-n

       

      [I see the final panel of this montage being of WASH getting up to leave, the COUNCILOR writing on a file, and the DIRECTOR sipping his coffee.]

       

      Interviewer:

      And then what happened?

       

      Wash:

       I was dismissed for lunch.

       

      Page 11

       

      11-1-1

       

      [This first panel is a half-page shot of WASH standing in the Freelancer Lounge/Rec-room.  Think the cross of a teacher’s lounge and a man-cave.  There’s a kitchenette along one wall (it’s important that there’s a coffee machine), a pool table and a rack of poles, a dart board, tables and chairs, a couch by a big TV, and other fun relaxing things and some military/PF HR posters.  (If you can fit in an arcade cabinet, Mortal Kombat? (because Gus and Burnie’s meeting story))  The line from “present” Wash (the last one for a while if we’re keeping score) should be as far up and right as possible.]

       

      Wash:

      I wasn’t exactly hungry though.

       

      11-2-2

       

      [The second half of the page is a duplication of the first but maybe WASH is further into the room.  The colored dialog boxes from the other freelancers are now all over as contrast to the silent panel above.]

       

      South: [by the fridge]

      WHO ATE MY PUDDING CUP?

       

      York: [over the pool table]

      Wash, you and Maine wanna join us for doubles?

       

      North: [At the dart board]

      Bullseye, again.

       

      Carolina: [couch]

      Who’s pick for movie night?

       

      Wyoming: [the table]

      Gin

       

      Flowers: [also at the table]

      We’re playing cribbage

       

      Page 12

       

      12-1-1

       

      [WASH has moved to the kitchenette]

       

      North:

      Four tubs of salt and no pepper.

       

      Carolina:

      My mom’s recipie…

       

      Wyoming:

      The Queen’s stiff tea and the Irish’s dirty whiskey

       

      Maine [over a microwave]:

       Burnt

       

      12-2-2

       

      [From the inside of a cabinet we can see WASH is reaching deeply in behind other containers.]

       

      South:

      … little miss sullen and snarky takes her coffee sweeter than anyone.

       

      Wash [memory text box]:

      Lay off, it’s too early to be a sore loser.

       

      12-3-2

       

      [Looking at the kitchenette again and WASH is still reaching in the cabinet.]

       

      Wash: [actual word balloon]

      There it is.

       

      12-4-3

       

      [POV of Wash looking down at a container of “Dehydrated Italian Sweet Cream” in his hand.  “Connecticut” has been written on in sharpie with “Wash can have some too” clearly written on later (better ink, different angle, that kind of thing).]

       

      12-5-3

       

      [WASH is leaning against the counter while the coffee maker whirs, his arms crossed and still holding the creamer]

       

      Wash: [memory text box]

      Don’t listen to her, I take my coffee pretty sweet too.  Do you want a chocolate biscotti?

       

      Page 13

       

      13-1-1

       

      [WASH is seated at the table with a steaming mug.  The creamer and a half-empty tub of biscotti are near him.]

       

      Connecticut:

      My parents took me to Earth when I was fourteen.  When we were in Italy my dad let me try coffee.  First black and then with real fresh sweet cream.

       

      13-2-1

       

      [POV of WASH pouring in some of the creamer.]

       

      Connecticut:

      He told me: “Sometimes you’ll need the bitter taste in your mouth to keep an edge.  But when you’re traveling, it’s always better to have something sweet.”

       

      13-3-2

       

      [WASH stirs it in with a biscotti.]

       

      Connecticut:

      I joined the military and though there’s a lot of bitter in our line of work, we’re almost always traveling.

       

      13-4-2

       

      [Side-shot of WASH beginning to remove his helmet.]

       

      13-5-3

       

      [The full bottom third of the page is a long panel centering on the neck-down of WASH sitting at the table.  He’s holding the coffee mug in one hand and the biscotti in the other.   His helmet is set down on the table on the other side from the tubs.]

       

      Connecticut: [top left of panel]

      We need to remember to take something sweet when we can.

       

      Connecticut: [bottom right of panel]

      Thanks for the biscotti, Wash.

       

      Page 14

       

      14-1-1

       

      [This first panel is a repeat of the last except WASH’s mug is no longer steaming.  If there was a clock in the last shot then roughly two hours have past (noon-twoish) and the coffee pot is empty. Neither detail is exactly important, but if you need them.  47-9ER’s voice is coming from whatever direction the door is.]

       

      47-9er:

      Here you are!  You know, there’s nothing like eating lunch alone after a two-hour session with HR because “your exuberant attitude and superior rank causes your co-workers to be nervous around you.”

       

      14-2-2

       

      [WASH has put his helmet back on and turned to face 47-9ER]

       

      Wash:

      So you kept your job?

       

      47-9er:

      Yeah, the Councilor eventually came down to give me a brake because “a recent promotion has only added to the tensions everyone is feeling because of current incidents.’  I have to apologize to Glass-Jaw-Janice and attend a few anger management talks.  [Bubble break] Fuck’n HR nonsense.

       

      14-3-2

       

      [47-9ER leans against the doorframe]

       

      47-9er:

      So, what’s your new assignment, if you can tell me?

       

      14-4-3

       

      [A picture that features both of them.]

       

      Wash:

      Special Missions actually.  They’re ironing out specifics still but I am the head active agent of a new task-force.

       

      47-9er:

      That’s great!  We’ll still be working together!  I’ve met my team, I hope yours will be better.

       

      Wash:

      I don’t know.  It sounds like a lot of my job will be solo, the team will be for support and clean-up as necessary.  And to go when I’m busy.

       

      14-5-3

       

      [47-9ER changes her posture to be more curious.]

       

      47-9er:

      Do you have any idea what you’ll be doing, specifically?

       

      Page 15

       

      15-1-1

       

      [WASH and 47-9ER are walking down a hallway in the MoI again, PF TROOPERS are milling about again.]

       

      47-9er:

      So we’re cleaning up the mess Texas and York caused.

       

      Wash:

      That’s more or less it.  Freelancers and equipment went missing during the Break-in and as soon as things show up again we go and pick it up.

       

      15-2-1

       

      [Different shot, same general image]

       

      47-9er:

      And we’ll know because all our equipment has a safety beacon and life preservation systems?

       

      Wash:

      It was added to all Project Freelancer assets after Connecticut went missing.

       

      15-3-2

       

      [More walking in spaceship hallways]

       

      47-9er:

      And they can’t just turn that on now?

       

      Wash:

      That kind of relay or a constant broadcast would compromise the project and its assets if the insurrection were to ever get ahold of Command or an Agent before capture and near-fatal wounding.  Instead each set of armor sends out a unique wide-range beacon only when the assets or agents are definitely compromised.

       

      15-4-2

       

      [Maybe they turn a corner now.]

       

      47-9er:

      And why are you telling me all of this?

       

      Wash:

      You said it yourself, we’re working together again.  I was cleared to talk openly to you about what I knew during my debriefing.

       

      15-5/6-3

       

      [Like the end of the scene outside of the bridge 47-9ER and WASH are having this conversation across the gutter, looking at each other while still walking.]

       

      47-9er: [Panel 5]

      Well, look who woke up and became 007.

       

      Wash: [Panel 6]

      It’s “Recovery One” actually.

       

      Page 16

       

      16-1-1

       

      [We’re back in the interview room for this page, back in the “present.”  WASH has maintained a similar position and the INTERVIEWER is writing on his clipboard/tablet.  Some of the materials have been moved around the table.  This page and the next I see as an even 4x4 grid.]

       

      Interviewer:

      They were allowing you to be surprisingly candid.

       

      Wash:

      Well, it wasn’t quite that straight forward. 

       

      16-2-1

       

      [The INTERVIEWER leans in]

       

      Interviewer:

      How so?

       

      Wash:

      Well, in all of the records you do have fully available I bet there’s a lot of cargo manifests with all of the equipment that was needed to make the downed MoI into “Sidewinder” along with detailed descriptions about the fictionalized Red vs Blue conflict that was being simulated by Project Freelancer as on-going testing of the experimental equipment and methods.

       

      16-3-2

       

      [The INTERVIEWER shuffles through the documents on the table.]

       

      Interviewer:

      Yes, these documents were very helpful in placing personnel and assets when the Oversight Subcommittee made its first rounds of inquiry about the exercise that brought down a command ship.

       

      16-4-2

       

      [WASH is pointing his finger to correct the interviewer]

       

      Wash:

      Did it say “exercise,” or was it an “experiment”?

       

      Page 17

       

      17-1-1

       

      [Focusing on the INTERVIEWER with some more shuffling of paper, hopefully with sounds]

       

      Interviewer:

      You are right. [bubble break] You seem awfully familiar with the wording of these classified documents.

       

      Wash:

      It was standard procedure at the time with the Director and Councilor; an abundance of very clear and precisely written truthful documentation.

       

      17-2-1

       

      [Focus on WASH explaining this.]

       

      Wash:

      They made it so the Oversight Subcommittee could only see Project Freelancer was on the up and up.  It was a smokescreen of transparency.

       

      17-3-2

       

      [The INTERVIEWER is more than a little surprised.]

       

      Interviewer:

      So, are any of these documents accurate?

       

      Wash:

      Oh, I’m sure everything you have available is the truth.

       

      17-4-2

       

      [Pull out on both of them at the table.]

       

      Wash:

      There’s just a whole lot more that they hid from everyone as well.

       

      Page 18

       

      18-1-1

       

      [Another top-third panel of Past WASH (who is responsible for the narration in this panel) standing in a hallway in the MoI with signs of ongoing construction.  He is staring at a freshly made wall that makes an end to a hallway.  There’s a sign saying “Detour to Training Room” with a map showing the detour.]

       

      Wash: [text box]

      It was a way through a day ago.

       

      18-2-2

       

      [WASH is speaking with a PF TROOPER who has put down their work.]

       

      PF Trooper:

      I’m sorry sir, but we’ll be changing command locations eventually and the Director wants minimal connectivity between the simulation and behind the scenes aspects of this facility.  If you’d like I can get someone to guide you around to where access isn’t sealed up yet.

       

      Wash:

      Can’t I just get a map from a data terminal?

       

      PF Trooper:

      I’m afraid not, all data terminals on this side of the ship have been re-programmed to only have the information accessible to a simulation trooper and only the construction crews have clearance to carry and trade actual HUD-based maps of the work in progress.  Director’s orders.

       

      18-3-2

       

      [Same image, different angle.]

       

      Wash:

       Why is my bunk-room on the wrong side of the ship?

       

      PF Trooper:

      Let me pull that up. [Bubble break]  …oh, it appears you are located in a wing we haven’t gotten to yet.  It connects to both sides currently.  If you just go back the way you came and keep going, you’ll be on the right side of the ship.

       

      18-4-3

       

      [The PF TROOPER is putting a sticker (palm-sized and bright yellow) in WASH’s hand.]

       

      PF Trooper:

      And could you do us a favor and put this on your door so we know not to seal you off yet?

       

      18-5-3

       

      [POV of WASH looking at the sticker in his palm.  It has a smiley face on it and reads “Please don’t seal me off yet.  I work for Project Freelancer.”]

       

      Wash:

      Sure.

       

      Page 19

       

      19-1-1

       

      [A top-third panel of WASH standing in front of yet another sealed hallway with a detour map.  He’s crumpling the sticker in his fist.]

       

      Wash:

      SON OF A BITCH!

       

      19-2-2

       

      [WASH is with the same PF TROOPER who is almost cowering in front of WASH.]

       

      PF Trooper:

      I am terribly sorry, sir.  It seems that crew forgot to update our maps.  Their lead is in the med-bay.  [bubble break]  If you’d like I can get my foreman down here to help you find a way-

       

      19-3-2

       

      [WASH is holding his head, collecting/containing himself.]

       

      Wash:

      No, that’s okay.  You are dividing the ship lengthwise?

       

      PF Trooper:

      Yes, sir.

       

      Wash:

      All exterior ports on the other side will open to the Project Freelancer side of things?

       

      PF Trooper:

      Yes, sir.

       

      Wash:

      Then I’ll just go around.

       

      19-4-3

       

      [Still just standing and talking (for variety in these repetitive shots I want to assure the artist that they can add any extra details or minor activity desired)]

       

      PF Trooper:

      I wouldn’t recommend that sir, crews are busy turning the ship into a mountain outside.

       

      Wash:

      What!?

       

      PF Trooper:

      Using the rubble from the crash we have been directed to make this side of the ship seem more like a base set into the mountain than a fallen ship.  Snow-fall is expected to more effectively hide the opposite side. 

       

      19-5-3

       

      [WASH standing frustrated.]

       

      Wash;

      Sigh Are there still Jeeps in the hanger?

       

      PF Trooper:

      I believe so, sir.

       

      Wash:

      I’ll just take one of those.

       

      Page 20

       

      Let’s take a quick break here and have one of my favorite RvB speculation sessions: The Geography of the Simulation Bases.  

       

      Things have been left purposely ambiguous sometimes and usually it is for the understandable reason that it gives the RT staff plenty of wiggle room not to have strict adherences to one map and only the set number of rooms in a building.  The only location I can think of immediately as as-it-appears is the Power Station.  Rat’s Nest has a brig in Blue Base that I don’t remember seeing, Freelancer City is made of four different Halo maps and is right above Val Halla which is divided from yet another simulation base / command center by a wall. And of course the caves that sneak all under Blood Gulch are not technically there.  So the mash-up of maps that make up the space Red vs Blue occupies is already an established feature of the series.

       

      So, let’s figure out “Sidewinder” and the MoI connection.  Sidewinder itself is another box-canyon and the bases do indeed look like they were more set into a mountain than made out of an old ship, but the cliff-side map used for the fight in season 8 does look a bit like a ship and the crash scene in season 10 firmly puts the cliffs on the “left” side of the MoI and that can be considered and put the more traditional Sidewinder on the “right” side.  This way both bases can exist while being as conjoined physically as they are in the story.  I imagine it looks like this from the air:

      The yellow line is Wash’s route from Sidewinder to the MoI side of things.

      C8Dlov-VwAEjpeQ.jpg

      All of this is meant to help the artist and me be on the same page when it comes to visuals of the outside of the MoI.  Of course this is all fan-speculation and could be completely voided with a few strokes of Burnie or Miles’s keyboards if this was ever official. 

       

      And page 20 starts a part of the story that is outside in a snow-storm at night (if night happens to Sidewinder) so it’s something worth noting.

       

      20-1-1

       

      [WASH is driving through a snowstorm at night.  He’s on a mongoose, not a jeep.]

       

      20-2-1

       

      [WASH has reached the edge of a “cliff” where he can look down on the MoI valley (the cliffs visible far to his right and lights and activity visible still).  He has gotten off the still running Mongoose to brood.  The headlights behind him cast a complete shadow of WASH in front of him (i.e. the cliff edge is farther than the length of his shadow).]

       

      Wash:

      “Sorry, we need all of the Jeeps to return our equipment in.  Take an ATV.”

       

      20-3-2

       

      [A shot of Wash from behind, lit by the headlights.  The rest of the panels of this page should look like this one with the added variations.]

       

      Wash:

      Goddamned storm. 

       

      20-4-2

       

      [WASH’s hands are turning to fists at his side.  He might be shaking a little.]

       

      Wash:

      Goddamned ATV!

       

      20-5-3

       

      [WASH has raised his hands over his head]

       

      Wash:

      GODDAMNED PROJECT FREELANCER!

       

      20-6-3

       

      [WASH kicks the snow pretty high, we’re still looking at him from behind.]

       

      Page 21

       

      21-1-1

       

      [A side-long look at WASH’s full shadow at his feet with the upturned snow.]

       

      21-2-1

       

      [WASH’s shadow gains outlines and more definition. It’s OMEGA so purple and dark grays are good.]

       

      Omega (text box):

      Mm-heh-heh

       

      21-3-2

       

      [The middle third of the page.  A wide shot looking over WASH, the OMEGA shadow, and the whole valley from behind and above.]

       

      Omega:

      An avalanche could take care of them all, right now.

       

      21-4-3

       

      [A close-up of WASH reaching for a grenade at his waist.]

       

      Omega:

      No one would know.

       

      21-5-3

       

      [A “POV” down below in the valley looking up the side of the MoI, WASH just barely visible up top.]

       

      Omega:

      Everyone else would be sealed inside.

       

      Page 22

       

      22-1-1

       

      [Just the OMEGA shadow on the snow with his hands raised above his head holding the grenade.]

       

      Omega:

      Project Freelancer’s last secret.

       

      22-2-1

       

      [The shadow has returned to being a regular, featureless shadow.  The hands have separated and there is no grenade in them.]

       

      22-3-2

       

      [The rest of the page is WASH sunk to his knees in the snow in front of the mongoose.  He’s holding his head with both hands (like how Carolina did after the Director shouted “ALISON”).  The grenade has fallen into the snow behind him (perfectly fine, not going to explode).  The storm continues around him.]

       

       

      End of Issue 1

      --------


      What do y'all think?


      --------

      TAG BAG

      #redvsblue

      #rvb

      #RvB14

      #RvB15

      #wash

      #agentwashington

      #washington

      #church

      #alpha

      #epsilon

      #ai

      #projectfreelancer

      #recoveryone

      #recovery

      #sidewinder

      #FanWork

      #fanfiction

      #008

      #RedvsBlueRec0very

      #TellYourRvBStory

      #comics

      #comic

      #script


  • About Me

    Chocolate milk in a Guinness glass.

    --Serial Crackpotter (That's "Serial" like segmented presentation of continuous content)

    --OCC Keeper of Caffeine

    --Adopt a Newbie Mentor

    --RT_Seattle Master of Irrigation/Often Be-Suited Babby of Achievemen Huggers

    -- Best Friend and Team Fat (Men's Medium)

    -- Bleepbloopopolous Tour Guide

    --Site Camper

    --White Bearded Guy with Glasses involved with Rooster Teeth
    Hey-o, as far as sociaizing on the site, my policy is send in friend-requests. If I don't recognize you I may send a message, but odds are I'll accept.


    Here's other places to see my antics:

    -- Facebook: https://www.facebook.com/max.gurnard

    -- Twitter

    -- YouTube (Nothing public yet.)

    -- Instagram

    Anything else you want to know? Try my questions tab. I check and answer all questions asked by the 25th of the month before the next one begins.


  • Comments (28)

    • Kaoru27Umi FIRST Member Star(s) Indication of membership status - One star is a FIRST member, two stars is Double Gold Princess of Mars

      1 month ago

      Yay friends! 

      • AgentWashingtub008 FIRST Member Star(s) Indication of membership status - One star is a FIRST member, two stars is Double Gold Crackpot of Coffee

        1 month ago

        Booyeah!

    • BuckeyeDon Crackpottist

      6 months ago

      @AgentWashingtub008 (don't know if you get alerts for comments, so hedging my post) 


      " I'd convert an area into a wood-working shop."


      I SO understand this!

      • AgentWashingtub008 FIRST Member Star(s) Indication of membership status - One star is a FIRST member, two stars is Double Gold Crackpot of Coffee

        6 months ago

        That function works swell!


        I'm gonna try dropping in a picture after today's site freeze:


        <img src=" data-aria-label-part="">


        NOPE!


        Although I remember someone talking about a fix through the comment editor...


        Oh well, we can work it out later.


        Yeah, I really like having done projects like chairs, shelves, and stereo frames recently.  I also do walking sticks.

    • monopoly_j Elevator's not worthy.

      11 months ago

      So why the Random Friend Request?

      • AgentWashingtub008 FIRST Member Star(s) Indication of membership status - One star is a FIRST member, two stars is Double Gold Crackpot of Coffee

        11 months ago

        You come on the recommendation of Buck, that goes quite a way here.

      • monopoly_j Elevator's not worthy.

        11 months ago

        Yeah I found his tag later. lol You should come check out Journal Jam.

    • Erkan FIRST Member Star(s) Indication of membership status - One star is a FIRST member, two stars is Double Gold Take It Easy.... bitches

      11 months ago

      Hey Max :D

      • Erkan FIRST Member Star(s) Indication of membership status - One star is a FIRST member, two stars is Double Gold Take It Easy.... bitches

        11 months ago

        I think thats Max

      • AgentWashingtub008 FIRST Member Star(s) Indication of membership status - One star is a FIRST member, two stars is Double Gold Crackpot of Coffee

        11 months ago

        Hey, had to dig through notifications to get here. Hi.

    • Raf FIRST Member Star(s) Indication of membership status - One star is a FIRST member, two stars is Double Gold ShimmySham Gaming

      1 year ago

      thanks for the friend request! :

      • AgentWashingtub008 FIRST Member Star(s) Indication of membership status - One star is a FIRST member, two stars is Double Gold Crackpot of Coffee

        1 year ago

        Not a problem.

    • Caszie Fishy Queen

      1 year ago

      Happy Valentine's Day! :D


      il_340x270.548199976_6h09.jpg

      • AgentWashingtub008 FIRST Member Star(s) Indication of membership status - One star is a FIRST member, two stars is Double Gold Crackpot of Coffee

        1 year ago

        Sweet, thanks.

    • Toptoast FIRST Member Star(s) Indication of membership status - One star is a FIRST member, two stars is Double Gold Keeper of the Breakfast

      1 year ago

      Hello! Thanks for accepting!

      • AgentWashingtub008 FIRST Member Star(s) Indication of membership status - One star is a FIRST member, two stars is Double Gold Crackpot of Coffee

        1 year ago

        No prob, bud. Take a look around, I update"weekly." Have fun.

    • phoniexape12

      3 years ago

      i also love legos do you have a mocpages account?

      • phoniexape12

        3 years ago

        Okay

      • AgentWashingtub008 FIRST Member Star(s) Indication of membership status - One star is a FIRST member, two stars is Double Gold Crackpot of Coffee

        3 years ago

        It looks fun, but I barely have the time for one fan-site these days. Maybe in the summer.

      • phoniexape12

        3 years ago

        just look it up

      • AgentWashingtub008 FIRST Member Star(s) Indication of membership status - One star is a FIRST member, two stars is Double Gold Crackpot of Coffee

        3 years ago

        I don't even know what that is.

    • agentmaine6

      3 years ago

      Thank you i appreciate it you just made my day

    • JeppeRoemer FIRST Member Star(s) Indication of membership status - One star is a FIRST member, two stars is Double Gold

      4 years ago

      Present! (You said to add beard... Hope I got it somewhat right)Hope you like it smiley1.gif
      JeppeRoemer5085a6b3326be.jpg

      • AgentWashingtub008 FIRST Member Star(s) Indication of membership status - One star is a FIRST member, two stars is Double Gold Crackpot of Coffee

        4 years ago

        I like it very much, and the beard will be accurate in about a week. Perfect style too.

    • tucker300

      4 years ago

      the good thing about wash is hes on the blue team

    • tucker300

      4 years ago

      Wash can suck it :D XP

    • Miragenotdin

      5 years ago

      Wash Rules.

    • theEMBlem98

      5 years ago

      Looks good dude.

  • AgentWashingtub008's Pictures

    AgentWashingtub008's Albums


    Images

  • Questions answered by AgentWashingtub008

    Let me start by saying I’m extremely flattered by being asked directly an interpretive question on RvB.  I hope I’m decently up to the task.

     

    I’m also glad I watched Season 14 with all the commentary recently enough to be informed about some aspects.

     

    Episode 1 of Season 14 was among my favorites for the season for quite a few reasons, but I do understand how it could be irksome to a viewer.  It’s a shocking introduction to the very different nature of the season on a visual, narrative, and tonal level.  Over all that was the intent of the episode.

     

    Just in case you are unaware (or anyone else reading this) the first half of the episode (up to the conversation between the iterations and the whole of Epsilon) is the nine-year-old “pencil test” of a proposed “Red vs Blue: Animated” which would have run concurrently with the main show but on Comedy Central as a part of their animated line-up.  After this most polished part was finished however, Rooster Teeth (which at this point did not have the in-house animation department it does now) felt that it was too long and detached a process to make an out-of-house animated project so the idea was scrapped and the trailer left on the Season 6 (Reconstruction) DVD as the only legitimate source.  (Of course, it was ripped to YouTube several times.)  The plot elements of that story eventually morphed into season 8 (kinda) and then the show moved on with Monty.

     

    This is a good way to move on to how this episode connects to the season as a whole, the episode was a way of tying up a loose end.  Two actually.  It gives definitive precedent to there being multiple simulations being run by Epsilon in his redundancy programs being more than the one seen in Season 9 so we can call the mini serieses MIA and Where There’s A Wall a part of those and Season 14’s Get Bent as well fit into Church’s alternate plans to try and save the Epsilon Tex.  The one we saw (based on the musical cues) could have been the one directly prior to Season 9, but also could have been somewhere else in that timeline due to the dialog being different.  It also ties up the loose end of the original animation being a part of the RvB canon, just differently than was originally intended.

     

    The draw-out pan of the Epsilon unit in storage also serves two purposes.  First, it grounds the claim that this is happening in the time between seasons 8 and 10’s non-flashback storyline when the unit sat in the UNSC Simulation Command Base that was formerly “Freelancer City.”

     

    The second purpose of this imagry is a visual metaphor for the rest of the season as VIC (a separate, PSA-space VIC (ish)) is about to introduce it to us verbally.  We’re drawing out from one story to show that there are others surrounding it waiting to be told.  Some are in different containers or and at different distances to the Red vs Blue plot, but we’ll be dealing with many stories regardless in this season (14).

     

    Then there’s VIC’s monolog which was the trailer for the season as well and can really be taken at face-value. 

     

    How was that?  Helpful?  Are there still questions you have?  Did you have a different interpretation?  Feel free to make another question or do a profile comment.

    I just realized that I totally forgot that second half in my corresponding blog-segment(in the second half of the post) about the subject.


    Allow me to remedy that. 


    What do I think will happen further into the show?  Well let's start with what we learned this season in particular and pair it with how the first "Collection" of Volumes went.  I think Volume 4, though kindof on its own as an exposition and breathing room Volume is technically the first of the second Collection of volumes that I think will deal heavily with Mistral, Haven, the Spring Maiden, and the second Relic (which I think is Creation).  The first collection was officially released at the "Beacon Years" in a steel-book now and dealt with the Vale, Beacon academy, the Fall Maiden, and I'm going to squeeze in as what I think the first relic that is Ozpin's walking stick, the relic of Knowledge, and the King of Vale's scepter.  (Technically this volume didn't directly feature this, but it was what Cinder wanted to take from Ozpin the whole time).  I think RWBY will be 4-5 of these collections because Monty's plan was roughly 9 Volumes more than volume 2.  There will probably be Volume 3 and 4 which could deal with either of the remaining kingdoms and relics and I'm going to say the Winter maiden will come before the Summer Maiden who I think is Ruby and if I had to pair to that, we'll get Atlas and the Relic of Destruction before Vaccuo and the Relic of Choice.  If there's a 5th collection then that will be where the found relics and Maidens will be assembled to fight Salem.


    And now the particulars coming soon: I think the girls of team RWBY will assemble in pairs that aren't their partners before coming together as all four.  This could be Ruby/Yang and Weiss/Blake, but I think the more interesting dynamics would be Weiss and Yang meeting early on and Ruby and Blake meeting up later (and after Blake and Sun do their thing with the White Fang).  At the very end of 5 we get all of the team together. 


    Jaune will continue to train and not unleash his semblance.  This easily could be held off until he comes face to face with Cinder or Salem.


    Nora and Ren will develop their relationship subtly now, they had their front-time for now.


    Oscar and Ozpin will do what they can to figure things out.  Qrow and Oz might want to keep it all a secret, which will create a struggle for Oscar.  Some people have thought that Oscar and Ruby may have a romantic arc, and if that happens or not they are both younger people with complementing personalities dramatically so I look forward to their dynamic. 


    I don't see the "betrayal" of Headmaster Lionheart lasting any longer than the volume as a secret.  That's just a guess based on how the end "secrets" of past volumes have gone. 


    And other than a steady reveal of information on the Maidens, Silver Eyes, and the relics over time, the rest is really all just random conjecture at this point.

    I haven't eactly given this a lot of thought... But as the soft spoken and sometimes mumbling guy with a name that sounds like several others, I've used different names before when doing things like ordering a snack at Jack in the Box.  I also like to make up elaborate situations in my head where I need to have different names.  Oh, and I probably spend more time than I should when writing making sure that if it's not my main fantasy story where names sound cool (Tavin, Cressina, Dellah, Bimir, Leilus (and so on)) all the names have accurate significance. (Dr, Ozzymandious Dee, and Archimedes "Archie" Hawkins). 


    But for myself?  Now?  Well, I'd have to go with something fitting.  Something that would fit with my mess-of-North-Western-European heritage as well as my personality.  I'd also consider that my first name currently means "King of the River/Spring" in the way my parents thought of it.


    [Stares at bookshelf for five minutes]


    Lloyd Usher has a quality to it.  An old-world dignity with the punch of a roguish hero.  I took it from a formative author and a story by another.  It's Welsh too, and there's plenty of wise old welsh men to be proud of. 

    -----


    BONUS ANSWER: I once actually tricked my entire class and a few teachers my senior year of highschool that my name was Maxwell Samuel Danger Hehnen Gurnard so for simplicity and a good laugh I could go for that too.



    Well let's start with the one I liked enough to have a friend make a cosplay for me ((because she's nice like that).


    Deadpool's costume (seen here) is an enduring product of 90's comics that also is really practical.  We all know that blood won't stain red, but Deadpool only has one permanent power and it alone doesn't really help him out to win fights (unless he just outlasts them).  The full harness and pouches get full use (and eventually one of them would become a magic satchel),  What I also love is the costume has had subtle changes from artist to artist but they all always fit.  Hell with the amount of times he ruins his costumes it's no wonder he makes small upgrades more often then Iron Man.

    -----

    Next up (and also just a favorite character) is the one and only Discowing (seen here).  Discowing is a very particular version of Nightwing's costume and along with the obvious 80's fun of it all comes a very real reason behind the costume.  From retcon to reboot, the outfit of the Flying Graysons has always followed aesthetic similarities to Dick Grayson's costumes (no doubt to symbolize Dick keeping his family legacy) but this one actually looks like a circus perfromer's outfit.  This is the costume I would (given unlimited resources) obtain and wear out every chance I got.  It also has a fair amount of alien flair that leads into our next suit...

    -----

    The Electric Blue Superman Suit (seen here).  I'll be candid, I know it's ridiculous, but I embrace it because it is so truly comic book.  Superman is temporarily disconnected from the yellow sun and the powers it gives him.  So naturally he develops electric ones so dangerous a full-ish body suit must be made to contain it.  And then he splits in half with is blue self representing his cerebral part and the red half representing his more physical side and their both still married to Lois Lane...  Gotta love it, and I love electricity based powers so yeah.  The suit itself is just Superman enough that you don't loose sight of the character but it also is different enough that you can tell something off or new is going on.

    -----

    And last but not least, it'd probably be cheating to just say Iron Man, so I'll pick two.  The Silver Centurion suit (seen here) is a classic and at the time represented all that Iron Man had accomplished up to that point.  Similarly, his suit from the first Marvel NOW! era is pretty cool too.  That was black and gold with red glowy bits one (seen here) from recent years that eventually became home to the P.E.P.P.E.R. / H.E.L.L.E.N. AI which was another sentimental touch that grabbed at me.  I honestly would love it if eventually Robert Downey JR donned the Black and Gold suit before he passes on the role.  It's close enough to the movie suits anyway.

    The kind where the hero and villain can (if forced to especially) sit down and talk or possibly work together while still fighting their battle,


    We all know the iconic ones: Professor X and Magneto, Superman and Lex Luthor, The Silver Surfer and Mephisto, and so on, but the instance that made me realize just how great this dynamic could be and the other ones that compounded it were outside of the usual comic format.


    The biggest one that sticks out in my mind is actually a book, and only vaguely superhero-ish.


    Have you ever read or heard of the Pendragon series?  It might have been a little after your time in the demographic, but it's a 10 (13) book series that starts like your standard serialized sci-fi for teenagers (fitting as it's from a writer for "Are You Afraid of the Dark" and more children's TV).  It's a good and prolonged hero's journey with an interesting cast.  It also has a terrifying villain.  I won't spoil too much, but to answer the question, there's a point in time where the villain and main hero are stranded together.  They can't leave because that would mean the other could as well (kinda Red vs Blue-y) so they're stuck with each other.  It's my favorite sequence in the series because while they are still mortal enemies they're just locked with each other and the most they can do is keep the other that way.  This is something I try to use in my writing too, a conflict where the hero doesn't have to win, the villain just has to lose. 


    It also comes up in Danny Phantom, Scott McCloud's Zot!, my favorite episode of Heroes (the penultimate one of the original series), and other books, movies, and yes, comics, that I love.  To a degree Deadpool fights this battle nearly every third arc. 


    I love when the hero and villain form a dichotomy that extends beyond punching each other.


    It's a killer joke.

    Way back before the new site, when I would do regular journals before the 008 Updates, I would end each post with a lovely little general question.  It's how I got to know people on the site.


    After the site changed I noticed a great shift in people.  Not only had I been away for a bit concentrating on school, but  there were just more people but less of those that I knew.  I decided to bring back the questions in an effort to get to know each other.


    Then we got the question tabs and I loved the possibilities they promised.


    Instead of asking everyone one big blanket question and hoping for an answer or two I thought about how I could utilize the tabs in a way that got discussions going.


    The plan hinged on not making anyone feel obligated by the questions, I just would be available continually to ask and answer them for people.  That's how I came up with the ask me a question first rule instead of spamming people every Tuesday.


    Speaking of Tuesday, the reason why isn't anything spectacular.  Tuesdays were usually the days I was the least busy and when other people weren't home for the longest period of time so taking the time to answer and ask my questions each Tuesday seemed like the best bet.


    It was an idea born out of interest in the community, utilizing the new site, and using my time well.

    Is mayonnaise an instrument?

    | Asked by: LCPeter 6 months ago

    Anything can be an instrument if you try hard enough.


    I recommend scooping a fair amount out of the jar and rubbing it on your knuckles.  Then leave  the jar for long enough for the top layer of the mayonnaise to become a thick skin you will plunger up and down through the still liquid portion.  The creation and popping of air pockets will be your procession,

    Awww, not a math question...


    Okay.  Well part of it luckally can fall into the understandably censored bit so I don't have to do exact numbers for a while.  Also keep in mind that all of these segments are stacking and if I run out before the end I'd skip to the last point (you also can skip to that for a general sense of what I'd do).


    First I wouldn't know what to do with that kind of money.


    Then I'd do the worn but practical thing of eliminating my debt and the debt I helped contribute to of my immediate and senior family.


    I'd probably secure (purchase) a house, not just rent or buy with payments, I'd find a modest but good place to live and I'd buy it.  I'm a young man so probably it'd be a nice house or apartment close to a city but I'd like to be able to park my car every night so not too close.


    While it's being mentioned, I'd buy/payoff my Jeep as well.  Then I'd put some quality mechanics into it along with a tape-deck (I own a few and I've got the money now to get more) and some ice-blue trim/racing stripes and a big charcoal number 8 on the hood  (for obvious reasons).


    So, on average speculations I'll have no old debt, a home, a car, and we're 1-2 million in, maybe, I'm not doing as much math as I should but I'll buy a calculator.


    I'd definitely pay movers to get my shit to my new home and then to fill out the furnishings.  More bookshelves, chouches, basic appliances, a fancy Nesspresso, framing for all my cool posters/artwork I have to put around the house and do display work for all my good books, old comics, and collectables.


    I love entertainment so, after the books and comics are done with there would of course be a media center or two.  I'd get a VCR, a Blu-ray player, a pretty big HD T.V. (not sold on 4K yet), a PS4 and PS2 (I've got my PS3), maybe I'd spring for an Xbox, and then I'd get the speaker system to match and put the money into something I've always wanted to experiment with, a capture set-up for recording and twitch. 


    That of course leads into the centerpiece of all of this (and another longterm fascination coming to fruition).  A high-quality, game-capable, Blu-ray drive equipped, and silver-cased beast of a Sony laptop. 


    Also I'd have a study where I'd keep most of the books along with a good CD system because this is where I'd do my writing and doodling.  A drafting-desk and a few armchairs are a given but (and this really isn't an expence but a good note) a south-facing window with horizontal blinds for long natural light with no glare  I'd also probably buy a palate of composition notebooks, blue Bics, pencils, and artsupplies (plus drafting paper).


    I'd do other things to help set-up the house for my kind of living.  I'd get a bbq, I'd convert an area into a wood-working shop.  I'd get a decient cable/internet package and subscribe to Rooster Teeth Double Gold (W!NK).  Put aside money for untilities.


    I'd move on to collecting a few fun things for me like the color run of Zot!, a few full TV shows on hard-copy, all of those comics I've been meaning to get to, and fill out other small gaps in my collections,


    After that I'd invest in entertainment companies and food.  I'd donate/sponsor education and parks services, veteran orginizations, and and child care orginizations.  This is the point in the list where I'd negotiate with my College to bring back the Rhetoric department and reduce the across-the-board language requirement which chokes the progress of all four-year-plan students in their chosen degrees. 


    And then, after all this front-loading of stuff and equipping myself that may seem a bit excessive and I by no means need to do it all (practical stuff first), I'd put the rest away and go about my life.  See even with all this money I'd still write and if my money can help me get self-published and out there, all the better.  I'd still get a job.  I might not need the funding at first, but I want to work.  I'd find something I like and do it to see what comes of it.  That's the whole point of the list above, I'd take that money to set myself up practically and comfortably and I'd move foreward, hopefully not too changed.  I might buy some fancy toys and clothes, but I'm of the mindset that $35.00 and tax is an expensive meal.  I never understood fancy cars you have other people drive unless you're incapacitated.  I do want to travel but to go to the places that interest me and not for any glamor.  I might go to a nice screening of a new movie, but that's not important, I just want to see the movie.  I have vague plans and probably quite a bit of money will helo, but once I'm nicely comfortable I'm good to just let them come.

    Once again Buck you have asked a poignant question that has an answer I believe better suited to a longer and more readily available post.


    It is one I've actually had percolating for a while, especially in light of the images I and others have had with images lately, a good few instances of pages refusing to fully load, and some changes and priorities I fully don't understand.


    What keeps me coming back though is the fact that somewhere in here there is or can be the old site again if not better.  What the site was to me was a place where the content, the conversation, and the community all was.  As a fairly ignorant man of understanding web function I really only know what does or does not work when I attempt to do it so I've never called much of it into question.  Now we're at a time when I believe all we have completely present is the content here and I'll admit a lot is due to a slow curve of functionality and the early summer of 2015.  But conversations are happening and people do what they can for the community.


    With no analogs to anyone else, I do sometimes feel like David from the finale of Camp Camp (if you are not keeping up with that show, that's completely understandable) in why I keep coming back.  I keep coming back to the site because some people are still here and I may as well try as hard as I can to make my contributions to it worthwhile too.


    But as I said, I believe there is much more to be said, and hopefully with your understanding I think I will go about it in a large post later.  I will link it here as well.


    The best way I can give you hope now is this, RT is still making RT content, there is a fanbase with a sizeable portion of itself still located here.  The more we do together, I think we might be able to get over the hurdles of sticky formatting, image issues, things I have no idea about because I know no better, and the hard to make connections.



    Once again an excellent comic question with what will be a loaded answer because of the literal and popular definitions of the terms used.


    There are the powered villains of circumstance such as Magneto or Mr. Freeze who go about it different ways, but you wonder are they would be villainous if not for the circumstance.


    There are those who defy the societal rules, taking what they want, like the Rogues (the Flash), Catwoman, The Riddler, The Kingpin, the Penguin, Whiplash, Taskmaster, and rest who are greedy or something but a few vices don't make just a villain.


    There are the true villains who battle heroes and try to impose their will upon the world like The Mandarin, Lex Luthor, Loki, Thanos, and Baron Zemo.  As you can see, they fall in a wide range of powered or non powered people. 


    There are also the monstrous forces beyond earthly mortal ken like Galactus, The Phoenix Force, and the Furies.


    And then there's the Joker.  I have quite a bit to say about what he is, isn't, or may be.


    But none of that will answer your question.  Because my favorite villain is in a way all of these and represents evil imposition of wills, desire beyond rules, and power beyond reason.  And in all of these things he has one of the greatest qualities of a supervillain, a diametric opposition to a hero that is the root of all of their continual strife.  I also mean continual, though there hasn't been much of this original fight often it's unresolved, always a possibility, and the villain has life and schemes outside the good guy that piqued their interest in the affairs of mortals.  Of course I'm talking about the truly evil match for the Silver Surfer all the way back from the 60's; Mephisto.


    For a good reference on what makes this evil bustard the best is when he takes his schemes to the limit to end the vexing sentinel of the skyways in the 62-page spectacular: the Silver Surfer: Judgement Day.


    And if you couldn't tell by now, I have a thing for villains edging on the theatrical with their verbage.  A good dramatic phrasing can go a long way for me. 

    I would just love to write for RT's narrative (or semi-narrative) content. 


    Sure I'm a decent comedic actor (four years of improv) and I've got an idea for an AH show like I'm sure a lot of us do.  (New Game +1: have I described it yet?).  Of course I'd leap at any job opportunity RT presented me, but I love to write and be a part of the storytelling process so that is what I would do for RT if I could pick.


    This of course falls into several departments.  Live Action shorts and shows, animation, or machinima?  Red vs Blue still is my favorite.  I'd love to write for that, and starting out I'd also be a fine content/continuity editor for that show.  But as long as I'm doing some form of narrative content.


    I've aslo got a few of my own ideas I could do as websries if it ever came to it.  Most prominent is a speculative fiction horror comedy (I swear it would work). 


    So, most importantly, I'd like to write for RT, and the details are all just different flavors of icing.

    I have my reasons, though I do understand it has become semi-iconic of me around here.


    Of course there's a story to it, so I'll start in the beginning.


    All throughout Sophomore and Junior year of college I would do a cycle of goatee, fresh shave for Halloween, grow-out, shave to goatee, grow-out, shave fully for break, and rince and repeat.  Senior year I was Obi Wan for Halloween so that started the pattern being off.  I liked my beard but I still played around with styles and stubbles.  You see, when I'm clean-shaven I still look like I did at 17 so I do like just a bit of facial hair at least so I'm not mistaken for a highschooler when I order a hard cider. 


    Like I said though, I'd played with a full beard and liked it so it rarely went completely away and then senior year thesis and 2nd semester midterms came around.  I stopped caring.  I'd shave for graduation.  My parents actually liked my beard though so I kept it.  And kept it.  And cleaned it up sometimes but mostly, I kept it.  It was tons of fun and I got compliments all the time but there were downsides.  It itched, eating ice cream was a trial, I wasn't sure if it was helping or hindering my ongoing search for a job, it itched, and ultimately, while I enjoied it, I got bored of it. 


    So, about a week ago, bye-bye beardie. 


    Sort of.


    As pictured bellow I've kept the goatee (down to my biggest standard comb on my styling razor*) and everything else was taken to my delicate ginger skin.  I get wicked razor burn and not cleanly shaving for over a year and a half meant things got bloody and raw.  So now I'm sporting some 5'oclock shadow, but I have light hair and it's been a week.  I'll start shaving closer more regularly once I get more blades and I work my neck back up to it. 


    CsRLlSpVIAAtGIx.jpg


    All this is to say, I shaved my beard early fall because once again it makes me look just a little bit more like Errol Flynn or Tony Stark.  It's a look I hope will convey me well in social and career circles that I also just like.


    A final word though, fret not for the wild fun bits like the naturally forked tip will live on.  I don't plan on trimming the goatee itself for a long time. 


    *This gives me an idea for a blog later.

    Well, those factors came separately, in so much as I was pretty young when I decided I wanted to write, and then a tad older when I started to really dig deep into things, pick them apart, and start making my own things with the pieces. So honorable mentions to the series that were the perfect storm of my preteenish years of reading: The Chronicles of Pyrdain by Lloyd Alexander; the Redwall books by Brian Jacques; The Inheritance Trilogy Cycle by Christopher Paolini; The Earthsea Cycle by Ursula K. LeGuinn, the Harry Potter books by J.K. Rowling; and The Amazing Spiderman by Stan Lee and Jack Kirby. There's a list of inspirations that no doubt people could dig out of my early and current things (and you can bet there's plenty of Neil Gaiman, Edgar Allen Poe, Terry Pratchett, D.J. MacHale, Michael Scott (Irish novelist, not the boss from The Office), R.A. Salvatore and others in there too, but they came later and/or don't exactly fit your question).


    But the series that first changed the statement in my head "I want to do this" to the question "how do I do this?" (which means to critically read and be critical about what I write) came in the middle of all of those series in Patrick Carman's The Land of Elyon (which had light ilustrations throughout). I got the first book, The Dark Hills Divide, when it came out as an indie title by a beginning author from Walla Walla. I infact have a first edition copy of the book. None of this of course meant much to me at the time. I just knew that this was a great fantasy story about a girl who could talk to squirrles, solve puzzles etched inside stones, and uncover a mystery on a magical island. It was really cool. It was, at first, one of the books that made me think "I want to do this."


    Then something happened that changed everything. (A good beginning, but very familiar.) My mom told me that Patrick Carman, the man who wrote the book I enjoyed so much, was coming to Barnes and Noble for a reading and a signing. It's hard for me to tell if I completely knew what was happening. I was getting to meet the author. Authors were, up to then, certainly people in my mind but they were people who lived a long time ago and/or not just an hour away from my family in Eastern Washington. But when we got to the event there he was. Smiling and wearing jeans and a button-up shirt. Leading me, other kids, and their parents through an activity inspired by the magic stones in the books. And while we did that he explained to us the stones and how he wrote about them for the book. He told us about the walled cities in central Europe that inspired the setting of the book. He talked about how Alexa Daley was made for his daughters who are just a little younger than me and though he loved to write for a long time, he was just starting to really be "an Author.". He told us that he was a person like us, who started from scratch and worked his ideas into stories. It was a quick progression to "je just did this," "I can do this," and finally "how can I do this?" And the best thing he told me that afternoon was how. I had to figure it out on my own.


    That sounds weird probably, but when the time came for us to get our books signed by the author individually (another forgien concept to me) he took the time to talk to each of us a little bit personally. I talked about how I wanted to write and how hearing his story inspired me. He liked that and encouraged me. He then saw my book and explaind some things about the dog-eared paperback I had. It was a first printing as well as first edition. You could tell because of the spine. The art was off. Books themselves having value beyond the stories was also new to me. But it made sense. This book was from when he started his writing career. It meant something in that. It was the start of mine too in a way. I hold a lot of value in that.


    The following series was very important to me as well because since the first book had really opened up the world of writing and writers to me the following books in the series and by Carman (there are others and I have a good amount of them) always had the special air of it to me. I would read not only the story but the making of it. I identified patterns and mechanisims and make guesses to where the story would go. I would also try and see if I could also make things in those ways. Sometimes I was right, and sometimes I was wrong, but I always learned. I have been to two other signings/events with Patrick Carman and each time he would show me other ways down the path of writing or tell me something about how to get it done.


    It's funny actually. For my birthday gift to myself I just recently ordered two of his latest books (from a different series which is just as important in different ways) and one is the continuation of a story I haven't read since early college but loved and the other is a book about that series and a little about how he did it. I devoered that book in one day (yesterday) videos and all (it's a very interesting book format he came up with for Skeleton Creek). I'm still learning from him but I also had a strange moment of "I've learned so much" reading this behind the scenes book now and remembering me back when the first book came out. Things have changed because of The Land of Elyon and where it directed me to go.


    In the way that it jumpstarted the ways I write, I have to say this series is at least in the nebulous top-handful of series that have had a profound effect leading me to what your question asked about, if not a close but eeking over top. It's hard to say exactly, there are a lot of other works that have very important influences too. Some are not a series. Some are an anchor to what I write about but are more involved in their answers. I could tell you a lot of stories about the stories that helped me, but its getting late now and I chose the easiest place to start for your answer.


    Also, yes, this gave me the excuse to write in a narrative fashion for a couple hundred words today. I took it.

    [Pushes up glasses]


    Well, while Superman is so "naturally" capable it is not an inherent quality of the Man of Steel to be "-of steel." Rather, the sciency make-up of his cells is juiced up by their reaction to Yellow Sun Radiation which gives him the initial boost to his system to make his body capable of incredible strength and solidity (bullet-proof skin). However, while in his normal state as a Red Sun Radiation evolved Kryptonian is still superior on earth because of that and other cross-planetary differences such as Kryptonian physiology and density (to combat differing gravity) he still needs muscles capable of lifting heavy shit and/or crushing it. Like a goldfish will grow to the size of its bowl, Superman's Kryptonian physiology and radiation-reactive state makes him physically capable to do the things he does. An ice truck is still an ice truck on earth so to crucify it on power lines on the earth where it was made takes the same amount of force from human machinery as it does an alien body made capable of exerting those forces. Superman's ripped-ness is a result of his body's capabilities in his situation combined with his lifestyle. If he wasn't constantly running or fighting I imagine his form would reflect a human who lived an average lifestyle and he would only be that proportional strength of a Kryptonian on earth.

    I like to think any good fictional universe has it's dangers, but let's go by numbers. Let's spin a wheel of the ones with the most damage done!


    WHHHHHHIIIIIIIIiiiiirrrrrrrrr tick tick tick tick tick tick....


    THE MARVEL UNIVERSE (A close tie with the DC universe but mostly it's continuity that gets destoried over there.)


    In this or any fictional universe I'd like to inhabit I'd be a wizard and/or benign trickster figure. I like to think of myself as a good guy so in this one I'd be like a side-kick / spinoff next generational Dr. Strange who gets into a bit more trouble.

    Retirement is a ways off for me. I'm sure at some point I'll stop whatever my day-to-day jobby-job will be, but as someone interested in a creative field (writing all sorts of things), I'm not sure I'll ever stop being creative with at least the slightest intention of letting other people in on the fun when I'm finished with the current project.


    I'll probably also keep going with my hobbies of woodworking, doodling, indulging my inner child, consuming fun media, and maybe I'll open a small bookshop. I'd like to live in a town on the NW coast.


    Otherwise, I don't really think too much of it. Just tuck money away once I get a first real jobby-job.

    Now, now, that's not exactly how this game works, but I've gotta give you points for trying.


    So, here's a half-answer. Unless it's obviously directed at the person being questioned, I don't ask questions on question day that I wouldn't have a good/entertaining answer for.


    Also, this is my way of getting to know the community on the new site better and letting them know me. The questions someone asks can be just as informative as the answers they give.

    Top 5... I'm not really an Anime buff so this will probably also be a "Half the Anime Shows I really enjoied" lists.


    1) YU-GI-OH!

    I'll be honest I haven't completely seen the show, never read the manga, didn't play the cardgame, and haven't really touched the other series beyond the original. BUT, I love the concept behind the original series, even when it doesn't quite hold up (that's what this reboot is for). It also has nothing to do with YGOTAS... No... But however, the conclusion drawn my me and my friends when Gods of Egypt came out was these cheesy but super inense effects bastardizing mythology would be better served as a Yugioh movie. If a series with effects like that existed I'd love it (CW style).


    2) Code Geass

    This show... This show... I loved the first twenty two episodes and then it fell into pit too many animes I watch do, the episode 23 problem. That's what I call what happens when an awesome concept is slowly established and worked for the whole of a series and then at the peak of the climax the stakes are suddenly and immediately turned up to eleven (becoming God? seriously?) and the story is "concluded" in two episodes. I would love to see a reboot of this show with real actors from the nations represented (as well as they can (Brittania is basically the EU and America so just pick something for Lelouch)). The magic is mostly subtle enough to do well and the mechs can be part-cg and part practical and really (since this is a rebbot) after establishing some pacing that makes sense you can integrate some of the things from season two into the lore and just go your own way after you start the season one climax otherwise.


    This is the point in the answer where I start grasping at straws. I don't watch much anime and even fewer of those I want to see in live action outside of these two. The first to see a cool new take and the second because I really want to reboot that story and make it work.


    3) Pokémon

    Who hasn't thought a version of the show with real and literal growth for characters (best achieved in Live Action when you have to) and realistic versions of the creatures? I however, in the line of hard reboots, would love to see them just be scientifically created creatures (big lore changes that I won't go into now) that have been genetically engineered to have their abilities but they're also actual Pocket-monsters. They keep their scale to each other, but whatever the average size of a pokemon is that is the size of a beast that could comfortably sit in a good-sized pocket. Also some cool Arms-race metaphors.


    4) Uhhh...


    Sorry, I just don't want that many live action reboots of anime. Maybe just to see more of it I'd go for The Devil is a Part-Timer! but that's pretty damn near perfect.






    Okay I don't want to break the site, but I remember quite a few pretty weird dreams. They all have their merits and while there might be a few (somehow) imperially weirder ones, one that is both really really weird and has a weird disconnect as I can remember it, is one I remember from being pretty young.

    ---


    I'm in a HUGE bounce-house that's modeled in the aesthetic of a Mickey's Toontown house and there are other children in there with me but more in the "I know this fact in my dream" kind of way than me really being able to differentiate from their reveling forms around me (I'm using discriptions I was not capable of doing at the time but still accurate). In the center of the room (a living room designed with a lot of orange paint an furniture (all bouncy)) there's a metal grate that we're all avoiding because it's a drain in the middle of a bounce-house and we don't want to be on the only not bouncy part.


    The children start to thin in numbers as a big blue anthropomorphic bat-person in a black and purple suit comes bouncing in too. I'm afraid of this bat and it doesn't help that he starts to come towards me as the children start to leave more quickly and the bouncy house becomes more like a castle. He starts to laugh at me and I'm scared back by his menacing guffawing laugh (think Krusty the Clown at a slightly higher pitch). I start to hear the children that left laughing at me too. I'm bouncing back now and find myself in the center of the room and the grate is gone. I fall down aways to where there's barely any light and I'm in a wet pit now on top of fist size-rocks and my legs hurt and I'm crying for my parents to help me out.


    I wake up after a while of me down at the bottom of the whole listening to the bat's echoing laughter.

    ---


    Have some fun with that one Freud.


    Oddly enough not too much of that frightens me now. Writing it out, I could actually twist some of it around into a horror story I wouldn't be scared writing.


    The other contenders for strangest dream are harder to differentiate because there are a lot of patterns and recurring elements. Those are things for a different day though.


    Favorite comic book?

    | Asked by: Fly 8 months ago

    That's pretty hard. And of course just vague enough for me to get some mileage off of it. Still I'll stick to the ones I actually physically own for the variants I have for this issue.


    If we're going for favorite individual issue (a single-purchase comic book you'd buy from a shop): That is a very hard decision as I have a long-box containing four years of single issues, but I also have and would read over and over again Neil Gaiman's The Sandman: Ramadan. It's a fascinating issue that talks about the endurance and magic of stories and dreams (like a lot of the series) and is beautifully illustrated and written as well. It's an issue that really speaks to me. This was a hard decision as I also have several original printings of Marvels and DC's going back to the sixties (without covers because of an old comic shop incentive), a good chunk of the original color run of Scott McLoud's ZOT!, several other Sandman's, and quite a few of the comics from my stint of buying them weekly at college are special to me.


    If we're classifying it in sort of the graphic novel / complete arc / trades: It's again hard as I have an original printing of Brief Lives from the Sandman run as well, BUT I also have some pretty good Deadpool / Silver Surfer / Nightwing / by Gaiman trades I really enjoy. I think I will settle back to the Sandman though. Brief Lives is up there as I view it as the real start of the climax and it deals with a lot of the series's over all themes and patterns.


    And, surprise surprise as it goes in favorite comic books as in "I really like to collect (character)'s comic book: That's a tie. I absolutely LOVE The Sandman. It has so many great concepts, characters, and stories while being its own whole story that it's pretty near perfect to me. However, there is something almost intrinsically fun about every Deadpool comic I've read and he's probably my favorite superhero (Morpheus does not have that distinction) that picking up his comic book is a must every time I go into a comic shop with some money not already intended for a purchase. And The Sandman, though I love it, is "over" after just having wrapped it's Overature run I will still buy any issue I can (within reason of course) but since this applies to both of these comic books, I can't call it without a deep "but, well" clause.

    This actually took some time for me to figure out because there definitely will be two shows in this category soon and I'll have to wait for hard copies because we don't have uber-kable.


    However, one did dawn upon me; Star Wars Rebels. I may be spoiled about a few big factors, but what I care more about is how they came to be and experiencing it. Again a casualty of Disney XD being above the current package, I'm stuck to finding out these stories on DVD if I can get ahold of them or perhaps Netflix and Disney/Lucasfilm will come to a solid agreement.

    For one day only it would be the ability to create permanent non-living things through will and alchemical conversion. I'd make quite a few little gadgets and bits/bobs I couldn't otherwise like a wrist-mounted auxiliary for my phone/laptop with actual buttons (a T-9 keyboard would do), some snappy sets of new clothes so I can dress like a cartoon character in fitted and fitting outfits (so many pairs of swabby jeans). Sure I might make some things of monetary value but I don't want to worry about serial numbers or diluting our economic system's values too much. I'd probably top it off with making myself a house which I imagine would take time and energy still. Then I'll be set to be a productive member of society the next day with all my neat stuff!


    That or Magneto-type flight. That's more super-powery and I'm always down for a chance to fly like that.

    Why are we here?

    | Asked by: JohnathanWelker 8 months ago

    Well, I signed up because I like to watch and Discuss RT content, I've stuck around for some of my own fun. If we're going waaaaaaaaaay back it's because a friend of mine in middle school said a certain lead character who dies six episodes in made him think of me.

    I never assume I'm 100% correct about anyone else's motivations, but I assume the sense of community and the aforementioned discussion and entertainment has a lot of people here.


    I think you're particularly a RWBYite.

    Forming a cult of any sort for Danny, the 99th Warden of Hell's Kitchens & Food Services would be a ridiculous waste of arcane knowledge and efforts. Danny, being Lord and Master of Demons and those unfortunate souls whose function in the ring of Gluttony is to stand beneath the sinks, their mouths warped into funnels of raw taste-receptive muscle and razor sharp teeth; he has no care for speaking. He only desires the garbled sounds of choked disgust from his Garbage Disposer hoard.


    However, to satiate Danny to a degree would be to act as he does and force blended leavings of food down the gullets of sinners constantly until their intestines burst in judgement. From these shredded silos of slop make sausage to dine upon while drinking the blood of your sacrifice. Preform this ritual on the third night of the waning moon every lunar cycle with the leftovers of all you have eaten between.


    Initiates must willingly go into and survive a night of the ritual.

    A wall mounted-radio!


    A telephone!


    A Daft Punk poster!


    Very small rocks!


    A cleshe map over my bed with different colored pins for where I have been and where I want to go!


    ...


    Yeah, I'm not really sure.

    I also want to say a tactical knife...


    No...


    Old-timey camera film.


    It starts black in the case, then you take a picture and put it in a red room to develop and as the image begins to fade or just get old or you screwed it up it's all grayscale.


    Well, I won't google these to stay honest.


    Well, knife would be only based off of an audible pun...


    I'm going to say a towel or sponge. While you dry off a thing, your utensil gets wet from the mess.

    I reveal all but one of my hidden tools about my person. I demonstrate my Holmesian level of disguise and attention. I describe to him all of my long-con pranks that went off well. And finally I tell him that I really really REALLY would like to work with him. I can be great a maintain a character too.

    So, largely the plan is to wing it. I have a few things scheduled and some things I just have to do because of timing, but outside of what I'm about to list I've got no idea.


    On Thursday I'm gonna meet up with my RT Seattle crew


    Friday is my first day of must panels. Kinda Funny and Late Night Lemonade


    Saturday is my designated signing day. I'm also likely to attend the OCC Fado's dinner.


    Sunday I'm not staying the whole time because of flights but I'm dedicating all the time I need to to attending the RvB panel.


    On either Friday or Saturday I'll be cosplaying Deadpool (I take it you read my journal with a part about it).


    I just plan to have fun, meet some people, and eat some Pizza Hut.


    Oh and I'm gonna try to pick up a Free Play shirt, Team Fat (Men's Medium) and the Pyrrha crest shirt.



    Oh my, well I already get to go to RTX...


    Well, the morning would start with coffee and breakfast with Neil Gaiman. After a couple hours of that I'd get a private tour of the Disney studio with lunch with the higher-ups of Marvel, Disney, and Lucasfim. Afternoon large-arena Laser-tag for me and a bunch of friends. A nice rib dinner for me and my (hypothetical) lady friend with Jason Mraz doing the music. Sitting down with friends again to watch a good movie of my choice (probably an action comedy or a Disney movie) at a private screening in one of those food-and-armchair theaters. Then it's off to be a guest on the Late Show with Setphen Colbert where I could meet and do a wacky thing with him and Jennifer Lawrence (who really I'd just like to meet. She is a beautiful woman, yes, but she just seems like a fun person I'd be friends with.

    If I told you they'd come for you too.


    I will say that for my own research purposes I have recently begun looking into connections with Alchemy, Secret Societies, and space travel/technologies/programs. I've found some interesting things. (It is the truth, I've been pondering and looking into these things for reasons, but I don't know if there's any reason the government would care about.)

    I would be satisfied with the same three meals a day with the following snacks and drinks also provided.


    Breakfast- Waffles and Bannanas (with fix'ns)


    Lunch- Peanut butter and jelly on a pretzel roll with cheetoes


    Dinner- Southern Style fried chicken tenders with my secret recipie bbq sauce and steak fries.


    Popcorn

    Cheez-its

    Chicken Jerky


    Coke

    Glacier Freeze Gatorade

    Whole Milk

    French Roast Coffee


    I imagine this is a Lost type situation and I eventually rig a kitchen and fridge in a crude house (or hatch) with all this.

    ---


    If I had to really narrow it down though, I'd just have the coffee, milk, chicken and waffles (with syrup) and bananas.



    I don't think I did this to myself. I could have, but that would be a very desperate time.


    It is very likely I have let loose a string of awesome but awful puns over a course of the conversation and when someone finally groaned at me to stop I said (as I do), "Why, I'm on fire right now."


    They decided to make a pun out of me.

    It's likely he has my theories and postings and other shenanigans from on the site. I have been fairly active over eight years. One or two time's I've gotten pretty close to knowing what was going on in RvB, other times I've made great detailed explanations. And there has been so much more.


    I don't know quite why I've been abducted to do this, but I hope that having my work in a file means he wants me to write something for the company and didn't want to call a lot of attention to it. That would be great.


    OR


    It's a photo and information of a cast or community member with just three words beneath it:


    Follow


    Observe


    Befriend


    He nods and says more information will come to me later at RTX and I'm released with a new badge that lets me get around with more ease.

    Oh the rituals, how shall I begin?


    Perhaps with the oldest in its oldest form.


    Though I've been drinking coffee since high school, in college I was able to talk my parents into getting me a French press and electric kettle for my growing habit. I used it a bunch, but the most inopportune thing was the kettle only fit in the hopper sink in the dorm (which I stayed in all 4 years (and the same single room)) basement/kitchen/laundryroom so I either had to trek down there every two batches or go to the bathroom across the hall with a big tumbler cup a couple of times. Usually it was the latter. So that's step one, fill the kettle. Then boil, that's easy but has resulted in more hand-burns than I should count. Usually it's just because I slip while filling the press. Then I let it percolate for about twenty minutes to a half-hour, pour and add sweet cream or chocolate milk (that's a frugal college kid's mocha). For most weekdays (and Sunday nights) my brewing system was a full press in the afternoon leaving one of the three-four mugs my old press would make for the morning. Sometimes I'd make more than one press a day. Saturday and Sunday, when I felt like being a lazy homebody usually saw a turn-of-the-century breakfast at one or more meals. In the days before modern breakfast cereals popcorn and coffee was a popular base for a quick breakfast. I love both, and if you've got some simple buttery popcorn and a fresh mug it's worth a try I assure you. An afternoon French-press and popcorn is one of my oldest and best rituals for brewing coffee.


    After leaving school I shifted it some. I'd make a batch every morning as I woke up to let our puppy out and would drink it over the day. I also got a bigger (and better) Le Cruset ceramic French press. It keeps the coffee warmer longer and the mesh is tighter so I can use slightly finer grinds. It still largely is this way (and follows the same 35ish minute ritual while making food or prepping the protein shake I pour a mug's worth into).


    However, my father also loves coffee and prefers espresso. He's had a machine for years and we recently bought a fantastic Nesspresso Citi and we're loving it. I've been using this more for my initial morning cup (because it takes four minutes tops) and have been experimenting with the different cups and brews. I still use the press though, usually early afternoon when I'm making what's switching to iced-coffee for that.


    Other small habits/rituals include coffee while watching RT or making my Bleepbloopopolous map and my "signature" drink I get with friends: a B-52 dropped in a mug of coffee (and I'll drink most other coffee-drinks (I'm slowly working out my own as well)).


    Okay, one sub-question down. I'll got grab a fresh mug and tackle the others.


    I will drink usually any medium to dark sweet/chocolatey roast. I like my coffee strong and flavorful so I use a lot of grounds and let it be brewed for sure. I do have some favorites though. First off, any blend with lavender in it. I will pick that first always (unless the other option is exotic and I only have the one chance to try it). My favorite specific roasts are Raven's Brew Ebony Pearls, Palendaba Lavender's dark roast (a local brand), and Starbucks's Café Verona or French Roast. I also like to keep it interesting with mixes of other spices or flavors like cinnamon, mint, caramel, or liquorish.


    I do grind my own beans when I can. From what I've been taught basic coffee brewing is better when you grind your own beans (about a few week's worth at most or just the day's if you're really into it). It's also fine to freeze beans but once ground you should keep them at room-temperature and dry. That keeps the flavor in the beans the way it was intended to be. Annother reason I grind by own beans I because I use a French press which requires a coarser grind for the mesh. Some brands sell coarse grind coffee but it isn't as common as either whole bean or fine grind (for use in filtered coffee makers). Any good coffee shop that sells beans will grind your bag to a specification for you and during college that's what I would do. I'd go to my local Starbucks, buy a bag of whole bean and have them grind it to coarse. It is free of charge and all locations I've been to (including in-store (Target/Safeway/Barnes & Noble)) will do this. I have my own grinder now that I am home though and use it and a vacuum sealed container to store the grinds.


    I am a "Seattle-based" Gold-Card-Carrying subscriber to the mermaid's world-wide local coffee shop. At the very bottom line, they make good coffee and the service is constantly good. They're doing something right and it's so darn convenient that it's hard not to use them. The great snacks and provision of home-use coffee materials is great too. I love little local shops too, they usually have the more interesting drinks because of the unique nature. Every vacation I go on I have to get a bag of beans from the local café. But as a comfortable and long-standing standard I have very positive things to say about Starbucks.


    I hope that entertained and informed you.

    It's like you and @SailorGirl81 coordinated today. You may want to take a look at her question and my answer too.


    While we're picking apart my internet motifs, I should mention that I come from a household that was late and slow to the internet. I still don't trust "the internet" with standing financial information, public information that's easily identifiable to my location or such, and I don't post that I'm away until after I'm back usually. Some of this has fallen back as time went on, but I still don't reveal too much about myself in a straight forward and mundane way.


    Still, I'm a fairly open guy so I try to do things that do give you information about me while I'm being clever and vague. So I, as a young man from a backwater area, took two of my favorite stories about young men from backwater areas (fictional heroes I could look up to and try to emulate) and in a fun way direct you to where I come from in a few ways.


    I imagine it like looking for a place in an Atlas's appendix. Found between Gongaga and Gont is a general sense that I'm from the hilly outskirts. There are things there, but not much. It also gives you the hints that these are the stories I like.


    Now, I hope it doesn't come off as pretentious. I by no means believe you have to understand these references, but they're fun little bits of more information rather than an empty space on a webpage because I wasn't the most trusting of possible tech-savvy miscreants.

    It's like you and @BuckeyeDon coordinated today. You may want to take a look at his question and my answer too.


    To answer this question as to why this particular set of numbers follows a good majority of my screennames we're going to have to go back to 2006/7. Justin Timberlake's solo career is really taking off. The Steelers have won the extra large super bowl. We all still love Captain Jack Sparrow. It is the time of Kingdom Hearts II and Halo 3.


    Now, I'm a Sony boy who had a Gameboy SP so I had a significant attachment to a certain cocky redhead trickster with a "heart" of gold and a jaunty posture from the epic crossover of Disney and Final Fantasy. He turned out to also be the 8th in an organization of 13 dubious individuals and eight is my lucky number (you could make a Jim Carrey movie about all the interesting times that number has popped up in my life). So, I had eight already but the story continues.


    A buddy of mine in middle school invited me over one time for a night of Halo 3, pizza, and other revels. He too was into Kingdom Hearts (and had some fun similarities to Roxas (No. XIII). He either had already or while we were setting up to play changed his Halo character number to O13 for Organization member thirteen and Roxas. I then was making my temporary character and decided to put my call sign as O08 (Because it had to be one letter and two digits). What can I say, we were wild and crazy guys. This soon persisted in other things and became the cooler and more aesthetically pleasing 008 (often more stylized with slashes in the 0's). It looks like two eights (one on its side like infinity) and there's other cool symbolic things I can do with it. It also (maybe most importantly) fits some of the old internet standard of having a number in a username.


    Incase you were wondering too, I read it out as "Zero-Zero-Eight", not "double 0 eight" or "Oh-oh-eight."

    Well, clearly it wasn't elimination in just a few fights, so here's what I imagine. Being ever the good sport, after a conversation between the two teams trying to figure out the nature of their internment in this strange arena fortress they parted ways and Jaune noticed (whatever a significant coin in Remnant/Atlas is) fall from Weiss's purse. JNPR was going one way, RWBY was going another, and the coin went yet another. Jaune followed the rolling change down the hall and around one unfortunate corner... His fate remains a mystery, but the tournament goes on.

    The genre I play the most would have to be (loosely) Action RPG's but I also love some more adventure games, Minecraft, more traditional JRPG's, combat racing games (which I'm surprisingly okay at, and some shooters. I also like some puzzles and stealth games. It'll be hard to pin down a top three (sort of) so I'll mention some of the outliers I have really enjoied first: Ratchet and Clank, Portal, Soul Calibur (3 was best),


    Top 3 though...


    There's just one I can't bump, sorry.


    #3- Jak II


    #2- infamous 2


    #'s 1- Crisis Core: Final Fantasy VII/Kingdom Hearts (Re:) Chain of Memories: Reverse/Rebirth

    The newly appointed governor of Port Royale's daughter.


    HEY-O!


    No really, it probably would have been that I broke something while trying to figure out how the ship worked. Or I subverted authority too many times. I'm not a particularly defiant individual, but if I think there's a better way to do something or an order is obviously going to screw things up I will either A) just not do it, or B) do it the wrong way I was told to and let the negative ramifications happen. Someone tells me to put the choclolate next to the stove? Done, have fun with your melted chocolate. I know that's not a particularly striking example, but if I were to start discussing the failed managerial attempts of other people vying for power in a college improv club, we might just be here all night.

    Well, RvB certainly has some real estate in my mind with theories and other activities, but it is one of many.


    I guess it comes down to I love to make things and so that reflects in my hobbies of: writing (a hobby I went to school for but haven't stopped learning about), I build with Lego Systems, I play a lot of video games but ones with choice/customization options apleanty (currently I'm running Kingdom Hearts Birth By Sleep and Kingdoms of Amalur Reckoning while also playing pleanty of Minecraft and Destiny too), I draw and I read educational and fictional books and watch some good TV and movies (with commentaries often too).


    So, my hobbies are many, mostly having to do with creating something in the line of a story. By obsessions have to be what pops up in all of that. I love tricksters (and other myth theory intensive things), RvB and most RT things, Fantasy stories about wizards, science fiction adventures, creepy speculative fiction, good comedy, superhero medias, hats, coats, denim, and benign pranks

    I'm sorry if this was all too much of a survey, but I have some laundry to do.

    I have been to a few Cons, several were trade-shows I went with my parents to.

    But on to the ones I picked. I've gone to the Seattle Brick Con once or twice, I love legos, and several toy train conventions as a smaller child. Those were a lot of fun and I remember getting some pretty cool special Brio trains.


    Then high school and college happened.


    After those I started again, going to Pax Prime and Jet City Comic Con, both were fantastic and I cosplayed to Jet City, which was also on Halloween. A fun thing about Pax was that was also my first RT_Seattle meet-up and the first time I'd seen my old friend Maddy in a while. (I also did a "lazy cosplay" of Church (light blue flannel, jeans, and my Fine Line shirt.)


    I am planning on going to RTX (wooh-WOOH) later this year and I'm investigating going to Pax Prime again. RTX, well that should be a little obvious, but I'm going this year as a fan and to have as much fun as I can. Pax Prime was a ton of fun for just one day last year, so I really want to go this year, possibly for more days.

    I am of two minds on this one. I'd invariably use them to similar ends so why not split the difference between dark blue flame power and flight with a auric blue force that looks like fire and lets me fly. Think ala Raven of DC fame without the inherent Lovecraftian mysticisim (it's fine but not my motif (I like more north-western European with wyrd and fae roots)). I would use these abilities probably for "good" ends. I'm not sure how much actual crime fighting I would get directly into but after I facilitate myself by floating around a lot and getting things that are hard to reach without making a mess, who knows. I'd still love to write, but Clark Kent, Kyle Rainer, and Janet Van Dyne all were able to keep creative careers and have a positive influence on the world with their abilities so I would love to try.


    I'd also never have to drive and I'd take as many other people with me as I could. So much saved travel money.

    I think it should go without saying that my immediate family has had quite a lot of influence on my developing personality the way all families will do. The briefest of clarifications though, I would say my parents raised me quite right with a respectful and genuine way of conducting myself. My brother has had his influences as well, but I will say a fair amount of those are in reflex as much as emulation.


    My maternal grandparents can also be said to have major responsibility in my development. I love and respect my paternal family quite a bit too, but they are farther away and I saw them less growing up. My paternal grandmother did help foster my love of stories and reading though and is a sturdy woman who maintains herself and for that I am greatly respectful. My maternal grandmother though is my standard of a lot of what makes a good person. She was caring for everyone in her life and did not cause conflict though she would stop it. She also has a lot to do with my sense of humor (and unyielding love of good and happy sitcoms). My maternal grandfather is a very solid individual. He is practical and believes in simplicity. He always has great advice which I always try to follow even when the subjects of our opinions differ. I would also say he really helped the final pushes of my learning to read by introducing me to Calvin and Hobbes.


    There are a fair amount of teachers too who have shaped me, again in both imitation and reflex. Because a part of what I am is to not be negative for reasons unrelated to the current situation (and irrelevant ones) so I won't be naming names or anything. Let's just say I dislike hypocracy, redundancy of speech, and all but acknowledged ineptitude especially in the education system (I do love when these all lead to hilarious failure though (a part of why I love some comedy with these character (and we're getting dangerously far from the topic now...))).


    The good teachers though, whose names are irrelevant to most, are Mr Wright, Mrs Vanderplas, Mr Lequire, Mr Burris, Mr Grella, and Professors Chaser, Nolly, Blackwell, and Nadelson (there are many others but I'll spend all my time listing with that way of talking). This group all were heavy influencers on me. They are all responcible and capabile individules. Each one has given me a lesson or two that didn't have to do with the ones I got in their curriculum. Perhaps the longest lasting one and most relevant to parts of my personaility I haven't brought up yet is from the late Mr. Burris. There are no stupid questions, questions mean you want to learn. And asking a question doesn't mean you're stupid what creates an idiot is when they ask a question and find themselves asking it again and again because they simply refuse to take in the new information. Idiots come from willful ignorance.


    There are also my friends; Austin who has given me lessons in leadership and personal integrity, Grace, Salina, Madison, Conner, and Johannah who have faced things with much more courage than I could imagine, Kennedy's bright personaliy, and many new friends and old friends who just were in some way or another a person much better than me so I have followed their examples. I'd also even put you in that list Buck, you are my longest and most influential mentor on the site since you effectively directed me back in the old old forums.


    And with that, I'm going to cut this off despite how much I love the continuing souce of knowledge questions do provide. I'm afraid I am quite over due to plug in my laptop and answer the at least one other questions I have.

    I assume you mean this:


    It and the accompanying image of me on laundry day is of me two years ago a little less shaven, without my glasses, and being a tad more silly than normal, but it is me none the less.

    From now...

    My professional life is really just beginning.


    Out of equal parts fortunate opportunity and necessity I have spent my last year helping my family from home with homecare and work, our new dog, and my great grandmother who passed early this winter. I also have been working to get my driver's license and actual adept-ness with my little borrowed Patriot.


    At this point in time though I have really begun the push to enter the workforce. I have perused a couple positions which through rather annoying faults of communication on the companies' ends have not panned out but I keep going. I am at a very interesting point here at the beginning. I can do a lot. I have several interests and aspirations. Right now my pursuits are working in a book-store, a pet-store, a library, production (several cool videogame companies are in my backyard), or possibly radio. I will though take whatever jobby job I can just to get the life experience of it soon. I have managed people and volunteered before, but have no pure professional experience (I do watch the houses and animals of friends and family as well).


    Since it is so nebulous at this moment I'm afraid any prediction I make will be even more so. I will be getting a job soon though so once I do I'll be doing what I can to stick to it. I won't be a career hopper unless things get bad at a company.


    The main goal is to be a career writer. I like a lot of mediums but for now I am working on the first book. I have that, if not the whole first series, mapped out fairly well and I'm filling it all in. That's just a matter of me working it all out. I push for at least 2,000 words a day and unless I have a blog or something I put them in there. My pursuits in a creative field are also happening but that's a bit of a chicken and egg of getting experience for a job and getting a job.

    What is the chief end of man?

    | Asked by: monopoly_j 11 months ago

    The phrase ends "To Glorify God." It's from the Catachisim.


    In my personal interpretation I think it means to live.

    Well, why not?

    Forgive me for quoting myself, but I already have outlined why Deadpool is my number one


    Now, the best comic book movie adaptation has to be Deadpool (the movie). Here's the deal, it does the best job of adapting the source material of nearly any comic movie I've seen. I think it comes from everyone working on it's love and understanding of the character. There were changes made because of studio and medium limitations and they're all understandable. I mostly find myself wondering why Butler and Killbrew didn't have as much to do with the plot, but I'm also happy this wasn't just a set-up movie to the Sinister Six, er... The Good the Bad and the Ugly adaptation (it's a recent origin defining arc of Deadpool). I really think it was handled so well and because they were making a real adaptation (not putting a character in an unprecedented or related story (Nolan...)). Considering all of that, is it my favorite adaptation? Yeah, it probably still is. However that's harder to say.


    I can go on to say though that after watching it 3 times in the week it's been on home release and going though some of the bonus materials (including the first commentary track (I'm a huge geek)) it definitely IS my favorite. I love the narrative. I love the background effort. The effects and jokes hold up to multiple viewing and close inspection. All around, fantastic.


    I also lucked out and found a list of my other favorites. These are in less of an order (the order I grabbed one of the series off of the shelf) so I won't bother with numbers. (Also I'm going to assume you're giving me the wiggle of series over individual films, but I'll be answering in detail one way and giving the other in name just to be safe.)


    The Rami Spiderman Series: I'll admit, on a lot of notes these and the Amazing movies basically end up toe-to-toe, but for nostalgia's sake and the fact that this series made it through two and a half (a third if you're REALLY going to pick at it) movies before falling into a mess where as the Amazing movies only got through one and a half I have to side with Spidey Maguire. These came out fairly early and really were my gateway to comics. Though chalked full of some enjoyable cheese (the early 200's kind I could eat all day) throughout these really got (with a Hollywood swing) the drama of Peter Parker's lives. The movies also have memorable characters good action and effects that mostly hold up. There's also plenty of the good elements in 3, but there was one more villain than there should have been and the plot suffered for it. Also, even given the continuity adaptation shift, they really screwed up Gwen Stacy in 3. This isn't about that though, this is why I love these movies. It's a load of fun action and solid storytelling. Best of the Batch: Spider-Man 2


    Tim Burton's Batman: Everyone acknowledges how this movie (and Returns) is a great movie and adaptation of the comics. Michael Keaton is a phenomenal Batman and Bruce Wayne. This movie also understands the Batman legacy and adapts to a middle ground. What's the plot? The wacky but creepy Joker (made by Batman's early days) is out to reap chaos and sneaks out a poison to all of Gotham. It's up to a stoic but morally unambiguous Batman to save the day. It couldn't be more basic, but it is so very much Batman. Even Nolan understood that a common B-plot is a threat to the Gotham ecosystem and he put it in two of his movies. It also helped establish so much visually for other films. Aside from Bats himself, the Art Deco Gotham has maintained. Even the Gotham T.V. show follows the out-of-time aesthetic. The whole series is great, the second dives more into a TIM BURTON'S Batman territory, but the care to represent these characters is tangible and I love it.


    THE MCU feels like a cheat (and way to huge to talk about in a length that's fair to the other two) so I'll cut it down just a smidge THE MCU MOVIES THAT FEATURE IRON MAN: Not only are these all great action comedies (with a touch of sci-fi) they fall into the category again where they understand what makes the best from all the various source material while making a new and cohesive story. I can identify these as Marvel movies even in the Marvel elements were obscured (unlike another series where the only reason I can tell it's a particular hero is his suit). Looking at it through Iron Man (my favorite character thus far) and the particular movies he's in I can provide one of the colorful metaphors I'm so fond of. Imagine a sort of platonic transparency that represents a given version of the character. Now imagine there's one for every out-of continuity version and one for each major development/turning point in the character's career. Then imagine that these transparencies are all placed on a projector and through some sort of magic what comes out is a beautiful creation made by the common and interesting elements of them all. That's what Marvel movies do so well and they build off of each other. All the Iron Man movies especially (including the Avengers Movies and Civil War) get this down. There is also the fact that everything is so well done technically and they capture the enjoyable read of any Marvel book. I also just enjoy each Iron Man solo movie. I watch 3 every Christmas at least once. That's personal tastes somewhat, but I just keep coming back to these movies. Best of the Batch: The Avengers


    X-MEN: DAYS OF FUTURE PAST: THE ROGUE CUT So, I love most of the X-Men franchise (1, 2, First Class, The Wolverine, (Deadpool), and I can stomach 3 alight in a world with The Amazing Spiderman 2, Spiderman 3, and especially Batman V Superman: The Dawn Of Justice. The ultimate of all this though is the Days of Future Past movie, and that's the theatrical release. This movie feels to me like an Event Comic made into film. They are re-writing their continuity while using their own continuity to do it. And everyone shows up, sometimes with multiple versions. Because of this movie we're also spared the missteps of X-Men Origins: Wolverine in any future film. Apocalypse is coming now and probably after him a fair amount of new continuity (because where do you go from there?) and possibly the hopes of the continued joint relationship sort of held between Marvel and Fox that was a part of Deadpool and is now a part of Marvel. That's just my hope. (I really seem to get off the actual subject movies often, don't I?) This movie has everything . There's an interesting choice made here and there, Kitty going back in time would have done just as well I think but they explained it away well enough and we all know Hugh Jackman deserves his place in the X-Men "cinematic universe." And it all comes to a head that this movie exists because the X-Men movies earned coming to this point where we can have time-travel and two Professor X's talking together and a badass Quicksilver who is Magneto's illegitimate child despite all of the flaws of the other films because it is just like the comics that created them where sometimes things do get really out of hand and you need to go back and fix them while making everything better. This cut especially addresses this. I've also got to mention that Anna Paquin and Jennifer Lawrence do fantastic jobs playing three dimensional action heroines on either side of the timeline. All the acting is at the very least good. It's the best of the batch in my opinion of a good series and adaptation.


    Honorable Mentions that were just bellow the top 5: Daredevil (the Director's Cut), Superman I & II, Watchmen (either cut), and The Amazing Spiderman 1.